Bad Boys: Tudo ou nada

  • USA Bad Boys: Ride or Die (mais)
Trailer 13

Sinopses(1)

Neste verão, os Bad Boys favoritos de todos estão de volta com a icónica mistura de ação eletrizante e comédia sem limites, mas desta vez com uma reviravolta: a dupla de Miami está agora em fuga. (NOS Lusomundo Audiovisuais)

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Trailer 13

Críticas (6)

POMO 

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português O terceiro episódio surpreendeu com um argumento fresco que deu um novo fôlego à série. E o argumento do quarto episódio, sem a participação de Joe Carnahan, começa a ficar mais fraco. Piadas forçadas e um enredo medíocre, ação rotineira sem uma única cena memorável. A cena exagerada com o helicóptero parece saída da série Velocidade Furiosa. A natureza predatória e sofisticada da ação de Bay é história. Mas Bay faz uma aparição, DJ Khaled até aparece numa cena inteira, e a dupla central continua a ser fixe mesmo sem as boas piadas. A nostalgia, reforçada pelo tema musical de Mark Mancina e o cenário de arranha-céus de Miami com praias das Caraíbas e palmeiras, simplesmente funciona. E o jovem Reggie rulez! ()

MrHlad 

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inglês Mike and Marcus are back, and since the captain calls from beyond the grave to tell them he has another case for them, they won't be bored. But you might be a little. The fourth outing of the Bad Boys attempts to build on previous installments not only in style, but more importantly in story, and sometimes overdoes it with the nostalgia, references and recalling small details from twenty years ago. The heroes haven't moved anywhere, they repeat what they've always done, just with a lot of new completely useless characters and the most boring villains of the series around them. The action, however, is top-notch. It just needs a little more care next time, even in the scenes where no one is shooting at anyone. ()

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EvilPhoEniX 

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inglês If you like this series, if you liked the third part, you should be satisfied here too. It's not a significant shift in quality, it's just a standard solid action comedy, where the mutual banter between Martin Lawrence and Will Smith works, but above all it's pulled by well-done action, which at times takes your breath away. Adil el Arbi and Bilall Fallah know their job. There are nice Miami visuals, a decent bad guy played by Eric Dane (Euphoria), decently brutal R-rated action with engaging camera forays, top visuals, some twist and turns and working one-liners. The whole film paces well with no deaf spots and it's exactly the right action entertainment that's missing in cinemas and you can take anyone to see it. If you expect a film with a well thought out plot, you won't be satisfied here, but if you know what to expect from a film, you can't be disappointed. 8/10. ()

Lima 

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inglês For me, the best episode of the franchise. It's not as unbearably loud as the first one, nor as visually aggressive as second one, or as shallow in plot as in the third one, which bordered almost on a Mexican soap opera. It has proper with, unexpectedly funny scenes, good visual ideas, and during action scenes the camera circles the space in an interesting way and chooses unconventional angles. And the biggest surprise is the one I least expected it from. Martin Lawrence may still be a pain in the ass, but holy wonder, he's funny here too. Starting with the unwanted "visit to the beyond" the goofiness and his sort of messiah complex make sense and I just enjoy the dude as an actor, unlike, say, the king of awkwardness Kevin Hart. The only one who spoils it a bit is the character of Will Smith's son, the youngster just can't act and in all the scenes he looks equally impassive, as if he's not even enjoying it. ()

Kaka 

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inglês A repeated joke is no longer funny, and that applies to the Bad Boys franchise, too. The third one was an interesting refresh after all those years, it had sleek slick visuals, cool Will Smith and Martin Lawrence in their 50s, and surprisingly solid action. The fourth one, however, already looks like a fluffy TV movie, recycling or even ripping off moments from previous episodes. Remember the bayou scene from the visually nasty second one, where the camera pans back and forth across the room during the shootout ? Almost a carbon copy of a scene in the fourth one, and there's more. The best moments are saved by minor and not very important characters, like the young marine or Captain Joe Pantoliano. The third film made sense, the fourth is completely unnecessary. I hope this franchise finally retires. ()

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