Realização:
Neill BlomkampCâmara:
Trent OpalochMúsica:
Hans ZimmerElenco:
Sharlto Copley, Dev Patel, Watkin Tudor Jones, Yo-Landi Visser, Jose Pablo Cantillo, Hugh Jackman, Sigourney Weaver, Brandon Auret, Johnny Selema (mais)Streaming (2)
Sinopses(1)
Todas as crianças veem ao mundo plenas de promessas, e ninguém mais do que Chappie: ele é talentoso, especial, um prodígio. Como qualquer criança, Chappie sofre as influências do que o rodeia - algumas boas, outras más - e vai ter que confiar no seu coração e alma para encontrar o seu caminho no mundo e se tornar um 'homem'. Mas existe algo que faz com que Chappie seja diferente de todos: ele é um robô. O primeiro robô com a capacidade de pensar e sentir por si mesmo. E essa é uma ideia perigosa – e um desafio que colocará Chappie no caminho de poderosas e destrutivas forças que pretendem que ele seja o último da sua espécie. (texto oficial do distribuidor)
(mais)Vídeos (8)
Críticas (16)
Um híbrido dramaturgicamente mal gerido de Mad Max, RoboCop e Curto-Circuito, com o maior porcaria de elenco em anos (Hugh Jackman). E, em geral, todos os personagens são horrivelmente disfuncionais, seja quem for que os interprete. Incluindo as motivações e o comportamento do homem de lata Chappie. Blomkamp tem um orçamento de filme A, técnica e atores, mas dirige como os gajos de Asylum.
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The anarchic visual firepower, which suited Blomkamp more than I was reluctant to believe after all the trailers, is carried primarily by Opaloch's eccentric cinematography, which sells the wannabe documentary style as well as few other films, and by the bizarre cast starting with Die Antwoord and ending with Jackman's hairstyle. Charlto Copley milks tears from only doing the audio. Elysium is forgiven. Even with the dramaturgical leash tightened very short, even Alien could have succeeded.
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Blomkamp the director trying hard to compensate for the incompetence of Blomkamp the screenwriter. Chappie is nice to look at, it has some good moments, but when you start thinking about it… :-( When you take the stories of each of the characters away from the plot, their behaviour is well… a stupidity race with a photo finish. Every single one of the blokes in there do the best they can to excel in this discipline.
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Why? Because Die Antwoord, that’s why. Throw in a bit of wacky comedy, a bit of fatalistic sci-fi drama, add a dash of Deus Ex Machina and a few ideas from The Matrix on top, season it with a pinch of clichés, stir it up and you have a fun, inconsistent mashup of genres that one moment is laugh-out-loud hilarious and the next is naturalistically ripping your body in half. Blomkamp is a misunderstood filmmaker doing things his own way, the antithesis of the California dream factory of today. And that’s good. And one thing is certain: Die Antwoord are aliens whose cute non-acting is amusing. Although I believe those two didn't have to play much, they're fucked up in real life añready :o)
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Neill Blomkamp lived up to his standard and finally added a static camera, which makes Chappie his best movie in terms of technologies. The fact that he cast the gang from the band Die Antwoord into some of the leading roles is also a big plus for me. I cannot think of anybody else from Johannesburg who could play bigger gangsters and creeps than Yolandi and Ninja. They are so extremely crazy, rotten and their music is so aggressive that nothing could fit into this movie better. I am a bit surprised that the director once again portrays Johannesburg as the worst place to inhabit, where not even the craziest Scandinavian murderer would want to live, as in Scandinavia, they treat murderers in prisons better than what the inhabitants of this town get on a daily basis. That is the only thing that bothered me about this film and the only reason why I didn’t rate it with five stars. Watching this city full of cement lots overgrown with thicket, teeming with human filth, is not really the peace and quiet my brain needs. Everything else was almost flawless.
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Galeria (38)
Photo © Columbia Pictures
![Chappie - Do filme](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/162/451/162451767_c507a6.jpg)
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