Realização:
Darren AronofskyCâmara:
Matthew LibatiqueMúsica:
Rob SimonsenElenco:
Brendan Fraser, Sadie Sink, Hong Chau, Ty Simpkins, Samantha Morton, Sathya Sridharan, Huck MilnerStreaming (2)
Sinopses(1)
The Whale é a história de Charlie (Brendan Fraser numa interpretação inesquecível e comovente), um professor de inglês que vive fechado em casa devido à sua condição de obesidade mórbida, e que, numa tentativa de redenção, tenta reaproximar-se da sua filha adolescente. "Esta história permite-nos entrar na pele de um homem que, de outra forma, nunca poderíamos sequer imaginar, e lembra-nos que a possibilidade de redenção e de amor está presente em cada um de nós. Para mim, esse é o poder do cinema", afirmou Aronofsky. (Medeia Filmes)
(mais)Vídeos (2)
Críticas (15)
Uma mistura equilibrada de psicologia íntima e sentimento comovente. Especialmente envolvente graças ao personagem principal que o cinema nunca viu, chocante na sua aparência, e o seu interior é divertido de estudar. Ótimo Brendan Fraser com uma maquilhagem incrível e perfeitamente acompanhado pela filha do filme, Sadie Sink. Os seus encontros fervem através emoções não ditas, raiva das mágoas de um lado e de arrependimento do outro. Sim, o personagem de Fraser tem demasiada pena de si próprio e a sua descoberta da importância da honestidade na vida é risível, mas A Baleia continua a ser um filme bonito e sensível, ao qual não falta o contributo artístico do realizador
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Knowing Darren Aronofsky is directing, you can expect pure human suffering. This film is emotionally intense but impossible to watch without being completely absorbed from the start. Brendan Fraser is nearly unrecognizable and delivers a performance that's nothing short of divine. The Whale is a prime example of a film designed to wring every emotion out of you. When a movie can do that, you're guaranteed an unforgettable experience.
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An acting masterclass combined with a masterclass in unnecessary directorial manipulation. If Darren had reined in his desire to drag the viewer into a fit of transcendent emotion and had carried the film through to the end as an intimate story about a human mass of guilt and loneliness, it might have had the punch that he last achieved in The Wrestler. Unfortunately, however, this is how the redemption of a self-destructive man becomes more distant the more the director tries to make it poignant. Fraser, on the other hand, deserves maximum respect, as he account for all of the humor and humanism in this dubious dramatic cetacean.
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If this were a raw last confession of a lost human soul without any pretensions and all sorts of gimmicks, it would be an absolute blast. The Whale shouldn't have been made by the master of allegories, Aronofsky, who combines uncompromising depression with religious motifs, art literature, and strange human creatures that might not be there at all – I was just waiting for parallel universes and other dimensions to appear. Two stars for the phenomenal Brendan Fraser and the moments when the film is exactly the coherent genre composition it should be for the entire runtime and not just a few fragments.
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Aronofsky has disappeared from me for a long time and I stopped understanding him. Exaggerated metaphors or, on the contrary, semi-pathetic images did not suit me to the creator dreamy and uncompromisingly realistic. And now he has shown what he does best and combined it into one whole. How unpleasant scenes from everyday shattered life and the cycle of moments where dignity disappears - and into that dreams, fleeting moments of (presumed) happiness, sparks of hope where no one else would find them. Beauty, touching for its painfulness and watched with clenched teeth.
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