Shōgun

I remember those times when I used to look forward to Prima every Sunday morning to start their top series selection at that time - Shogun. Adventure, as it should be. For a boy of that time, it was the best thing that could happen to him on TV. And when I heard that Disney was preparing a remake, I quietly hoped that they would handle it with all due respect and not mess it up. And behold, the dream came true. The Americans not only converted one of the greatest historical adventures I have ever experienced into today's technical guise, but they also had respect for the original and presented life in Japan in the early 17th century as it really was. Without embellishments. They really succeeded in this. It's just a shame that they stick to the classic serial problem of today - dragging things out. Where they could cut, they add. And when it comes to explanations, because the Japanese world sometimes needs to explain its actions, they remain silent. But these are still nuances in an otherwise very successful series. (06/07/2024)

Shogun is definitely a revelation in the series field this year and should be seen by everyone. Until the 5th episode I was sure of a 5 star rating, but then my great enthusiasm started to wane as my faith in some epic battle started to fade away, and it ended up being very intimate. The series has spectacular sets, great performances – Hirojuki Sanada is awesome, Mariko is perhaps the most beautiful Asian ever, and Aijin is also great. It has meticulous dialogues, great atmosphere, strong emotions (episode 9 is probably the strongest) and it's also quite suspenseful. The series is actually flawless in all respects except for the lack of action sequences, and I can't forgive that because the samurai didn't just conduct political intrigues, they also cut each other and there was obviously a budget here, so they could have easily crammed a 15 minute battle into those 10 hours. Considering the whole 4th episode was dedicated to cannons (there was even the best gore scene of the series), it's a shame that they didn’t use them once more during the series and the ending just disappointed me because nothing was resolved properly. I'm sorry because there won't be a samurai movie or series this expansive for quite a while. I still enjoyed it, but there was no ejaculation. 8/10. (30/04/2024)

The Japanese version of Game of Thrones. Only instead of seedy pubs, profanity, tons of coitus and chivalrous jousting in an alternative European medieval setting, there's sake at five o'clock, views into the carefully cultivated gardens of Japanese dwellings and pagodas, and everything the viewer touches is more refined and pretty. If The Last Samurai, for example, was 70 per cent Hollywood boilerplate and 30 per cent reverent homage to refined Japanese culture, Shogun is the opposite. We don't see many spectacular action scenes, nor a classic Western narrative with a fierce finale. This Japanese insight into the world of the samurai flows slowly, sensitively, and takes great care to build atmosphere and develop the characters, their thoughts and motivations. Shogun isn't meant to be epic because of how many battles there are, or how fiercely it fights, but because of how powerful a story it conveys and the compelling bond that forms between the main characters. And I enjoyed this idiosyncratic, thought-provoking, moodily coherent, fragile mosaic, supported by fantastic production design and great actors. Despite the tepid pace, I rate it highly, because there are damn few such contributions to cinema. The First Samurai. (15/05/2024)