Realização:
Antoine FuquaCâmara:
Maz MakhaniMúsica:
Marcelo ZarvosElenco:
Jake Gyllenhaal, Riley Keough, Peter Sarsgaard, Ethan Hawke, Eli Goree, Christina Vidal, Adrian Martinez, Da'Vine Joy Randolph, David Castañeda Jr. (mais)Streaming (1)
Sinopses(1)
Um detetive rebaixado a operador de chamadas de emergência tenta salvar uma mulher desesperada em meio a um dia frenético cheio de revelações. (Netflix)
Vídeos (2)
Críticas (7)
Com o conhecimento do original norueguês e, portanto, todo o enredo, incluindo o ponto de partida, não consegue mais cativar. Em vez disso, estamos apenas a desfrutar a presença de Jake Gyllenhaal e a comparar o conceito formal, enriquecido aqui pelos grandes monitores do centro de comunicações, que mostram incêndios na Califórnia. A intensidade do estado mental tenso do personagem principal é surpreendente para uma produção mainstream da Netflix, como se Antoine Fuqua tentasse compensar a falta de brutalidade e autenticidade do filme original. Gyllenhaal esforça-se no aspeto da atuação e todos sabemos que ele é capaz, mas a concentração no seu personagem é mesmo exagerada. Não o conhecemos o suficiente, nem conhecemos bem os seus lados humanos para podermos simpatizar com ele.
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This is just another Americanized carbon copy overshadowed by the original 2018 Danish movie called The Guilty. There is no point watching it if you have already seen the original as this movie has nothing new to offer. The only enjoyable aspect was Jake Gyllenhaal's focused performance, even though he was really completely wasted in this.
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A thriller... and a cheap one. Gyllenhall savors the ambiguous character of an emergency line operator who gets a call from an abducted woman. With a computer and head set in the supporting roles. I haven’t seen the original and don’t know how much Pizzolatto changed, but the dialogs and twists are very good with the suffocating Covid atmosphere. Calling over the phone and face to face contact just aren’t the same! One day I might watch the original Danish version.
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An intimate and such a well written film that it seemed to me almost like an adaptation of a very good radio play. I didn't see the original, so I was able to be (for an hour and a half) tense and wait to see what came out of it, because from the beginning something suspicious hung in the air in that strange night atmosphere. Jake Gyllenhaal is great and the point was successful - given that and the overall tone, I understand why the Americans needed to make (remake) this film and at this time.
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It doesn't feel like the Americans added anything fresh to this remake. In fact, it seems to lack some logic in places. The concept does lend itself to a strong performance, and Jake Gyllenhaal definitely takes the spotlight, maybe a bit too egoistically. If you haven’t seen the original, it’s a decent minimalist thriller. Otherwise, it feels pretty unnecessary.
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