Realização:
Michael BayCâmara:
Roberto De AngelisMúsica:
Lorne BalfeElenco:
Jake Gyllenhaal, Yahya Abdul-Mateen II, Eiza González, Moses Ingram, Garret Dillahunt, Colin Woodell, Keir O'Donnell, A Martinez, Devan Chandler Long (mais)Streaming (2)
Sinopses(1)
No decorrer de um dia nas ruas de Los Angeles, três vidas irão mudar para sempre… Neste thriller alucinante produzido e realizado por Michael Bay, o veterano condecorado Will Sharp (Yahya Abdul-Mateen II), desesperado para pagar as contas de hospital da sua mulher, pede ajuda à única pessoa a quem sabe que não devia pedir – o seu irmão adotivo, Danny (Jake Gyllenhaal). Criminoso profissional carismático, Danny faz-lhe uma contraproposta: o maior assalto a um banco na história de Los Angeles: 32 milhões de dólares. Com a vida da sua mulher em risco, Will não pode dizer que não. (Cinemundo)
(mais)Vídeos (7)
Críticas (14)
Só no último quarto é que os personagens se encontram numa situação com qual eu comecei a divertir-me explicitamente. Tudo antes disso é rotina muitas vezes vista embrulhada num atraente molde de Bayhem. E mesmo isso não é para todos. Os epiléticos não vão conseguir. O que mais me faltou em Ambulance foi um argumento mais inteligente. O único elemento com que o filme tenta mover o percurso de ambulância cheio de ação ao longo do enredo é revelando gradualmente as relações entre os personagens (de onde se conhecem e por que). E estas não são muito interessantes e não acrescentam nada de substancial ao impulso emocional do filme. Alguma emoção vem nos últimos minutos, mas é apenas o tradicional e um pouco embaraçoso sentimento de Bay.
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After a botched robbery, Michael Bay has the two protagonists steal an ambulance and take a hostage, and a chase across L.A. begins. And it's Bay, full of slow motion, crazy explosions and stylish camera work. Only this time, the director tries to be unexpectedly serious at times and doesn't completely underestimate the character work. Unfortunately, what looks for a while like a serious action drama that might even work, ends up getting beaten to death by childish humour, overwrought action and the fact that he's just making what he's always made. So in the end, it's more or less exactly the kind of wildness one expects from Michael Bay. Whether that's a good or bad is for each to decide.
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There was a time when I eagerly anticipated every new Michael Bay film. But ever since Transformers, he's turned into a total hack. This might just be his worst film yet. It's dreadful, with a lackluster cast that shows zero emotion — something I never expected from Jake Gyllenhaal.
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An unacknowledged adaptation of GTA V that rides the wave of "the good" Bay from the nineties. That is to say, it's far from overblown not only in terms of runtime, pathetic, B-movie, deliberately stupid (which is not a rule with Bay), but fun and flashy. Double shame about the superfluous final 20 minutes, otherwise satisfaction from the "turn off your brain, have a couple of beers, get the popcorn ready and tune in to your boyish self who likes to bump into Englishmen for no reason" drawer.
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An amazing Bayhem, for me the film of the year so far and one of Michael Bay's best films! Ambulance is a combination of Den of Thieves and Wrath of Man, and if you like purely male movies full of adrenaline and testosterone you won't go wrong with this one – I died and came back to life in the cinema, metaphorically speaking fell and rose from the ashes like phoenix! Bay sets a very fast pace from the opening and thrusts us into a heist where absolutely everything gets fucked up, and the action then shifts to the ambulance, which is where the whole film takes place, and although it sounds uninteresting, you better believe you'll be wiping your brow with adrenaline. Jake Gyllenhaal is excellent, a chameleon of an actor (he overacts at times, but why not), and Yahya Abdul-Mateen II is terrific as well as a former marine playing a very charismatic hero. Eiza Gonzalez, nothing to worry about here, great acting, great looks, Bay couldn't have picked a better trio of actors for this project. The action is uncompromising, the gunfights (no one has better sound design for guns than Bay!), the car chases, the helicopters, it's all there and I didn't feel like I was watching a movie at all, I felt I was watching a live broadcast of a crime in progress in LA, so the authenticity and realism gives it a high dimension. In other words, Bay has made his own movie version of GTA and for me it was a dream come true. I must also single out the great soundtrack (the music was ear-splitting and added to the tension and adrenaline). Bay's drone-camera was downright revolutionary, the aerial shots were so riveting that Deakins and Hoyt are quietly envious. The operation on the fly – the best shot operation in a movie since Saw, even a gore lover gets their serving, so pure euphoria and bliss. On top of all that, the dramatic and emotional moments work (Bay can bring tears in the opening 5 minutes, not to mention the ending!), and praise must be given to the FBI who finally showcase a very good antagonist, two intelligent fighters on opposite sides of the barricade, awesome and add to that the military tricks and a cartel and there is really little left missing for the audience to have a stroke. Flawless for me, I'm going again next week and then again. I liked how Bay references his own films. Story 3/5, Action 5/5, Humor 3/5, Violence 4/5, Fun 5/5 Music 5/5, Visuals 5/5, Atmosphere 5/5, Suspense 5/5, Emotion 5/5, Actors 5/5. 10/10.
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Galeria (36)
Photo © Universal Pictures
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