Realização:
Oliver StoneArgumento:
John RidleyCâmara:
Robert RichardsonMúsica:
Ennio MorriconeElenco:
Sean Penn, Nick Nolte, Jennifer Lopez, Powers Boothe, Claire Danes, Joaquin Phoenix, Jon Voight, Billy Bob Thornton, Abraham Benrubi, Richard Rutowski (mais)Streaming (2)
Sinopses(1)
A small-time gambler with an overdue debt in Vegas and a broken radiator hose is finding it hard to get out of Superior, Arizona. (texto oficial do distribuidor)
Críticas (6)
It's like eating mushrooms and finding yourself in a strange state where perspective is erased and sound cuts you like a saber on your bare skin. Somewhere, the combination of Stone's eccentricity with Ennio Morricone's overwrought soundtrack is pretty successful, but sometimes this experiment loses its way and staggers over the gorge of exaggeration. Luckily, it always saved by the hand of the excellent cast and a rather successful redneck prank. It's pretty obvious that Stone is trying so hard to find himself until he gets lost... And unfortunately, that lasted to this day.
()
Posso contar com dedos duma mão os filmes dos anos 90 que não vi, pois, vi tudo nessa altura, incluindo comédias românticas com Meg Ryan. Outro/Eu foi um deles e agora lamento não os ter mais, porque recordar estes grandes atores é perfeito. Quando pensam que não há nada que os surpreenda aqui depois do louco e gorduroso mecânico de automóveis Billy Bob Thornton ou do violento pervertido Nick Nolte, vem o nervoso Joaquin Phoenix e vocês obtêm uma prenda Natal. Ainda assim, tenho um pequeno problema com este filme de Stone — por muito grande que seja no arranque atmosférico e na construção da situação de merda cada vez mais absurda da personagem principal, cada vez mais ele falha com uma mistura desarticulada de drama e comédia que nem Morricone consegue lidar. E depois, no final, a sua visão específica de argumento fica completamente fora de controlo.
()
Weird film, that's the first thing that comes to mind when I think of U-Turn. Emotionally it’s a very cold film that just fizzles through your head. I’m not saying I was bored, but it is weak for Stone standards. Among those worth mentioning are the chubby, charmingly dirty Bob Thorthon (unrecognizable!) and the then-unknown Jeniffer with her sexy proportions.
()
Very dark, dead, blackly humorous, bleak and strongly atmospheric!! Great acting, a well thought out and polished story with plenty of twists and turns, this is awesome in every way and I can't find anything to fault with the film. If I went through what Sean Penn experienced in this film, I would hang myself the next day without a second thought. For me, one of the best movies ever!! 100%.
()
Darned bad luck. Oliver Stone played around with absolutely everything he could. Unreal camera and editing; you don’t often get that in movies like this. Excellent actors too, Sean Penn taking the throne. A first-rate, but also slightly weird movie. - What happened to your hand? - An accident. - You've got to be more careful.
()
Formally, it has a brilliant style with an incredibly refined cinematography, filters, and excellently interwoven musical inserts. Emotionally, however, it’s very cold. Whether it was the intention is hard to say (though it did seem that way to me towards the end), but I didn't believe the acting of the film's key figure, Jennifer Lopez, for even a minute – yes, beauty for sure, but no talent. Sean Penn, on the other hand, is outstanding. The basic plotline is unfortunately too simple and as such, will not satisfy many film enthusiasts. The Indian moralizing babble can be survived, just like the literally insane ending, where a smile from ear to ear is obligatory. Crazy, twisted, depressing, deranged. Oliver Stone and his genre deviation, or one slightly controversial variation on film noir.
()
Publicidade