Realização:
Kathryn BigelowArgumento:
W. Peter IliffCâmara:
Donald PetermanMúsica:
Mark IshamElenco:
Patrick Swayze, Keanu Reeves, Gary Busey, Lori Petty, John C. McGinley, James Le Gros, Bojesse Christopher, Julian Reyes, Daniel Beer, Vincent Klyn (mais)Sinopses(1)
Em uma cidade costeira da Califórnia atua uma gangue de ladrões de banco que se autodenomina "Os Ex-Presidentes", pois cometem seus assaltos usando as máscaras de Reagan, Carter, Nixon e Johnson. O F.B.I. acredita que os membros da quadrilha possam ser surfistas e manda para lá um jovem agente disfarçado, Johnny Utah (Keanu Reeves), que tem como missão se infiltrar entre os surfistas e obter informações. Para isto ele precisa aprender a surfar, algo que seu chefe não gosta muito. Com o auxílio de Angelo Pappas (Gary Busey), outro agente, Johnny chega a uma comunidade de surfistas onde os dois se infiltram, desconfiados que o autor dos assaltos está ali. Lá ele conhece Bodhi (Patrick Swayze), um homem místico e muito inteligente, que começa a mostrar a Johnny uma maneira diferente de ver o mundo. (texto oficial do distribuidor)
(mais)Críticas (8)
Surfing, skydiving, sunbathing on the beach, or improving one's body at the gym is somehow lost on me, and if Kathryn Bigelow portrays attractive muscle men and their carefree lifestyle, I understand that not only can many female viewers, but also male viewers, be enthralled by their approach to life and enjoying themselves. However, I simply don't find it appealing. I didn't like the characters and their value system, and the story itself didn't captivate me either. Overall impression: 40%.
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O arranque da carreira brilhante de Reeves. Um thriller policial ambientado num ambiente de surfista atraente. Só se inicia um ritmo adequado no último terço, tudo antes disso é sobre conhecer os personagens. As suas relações são bem articuladas, mesmo que hoje em dia pareçam clichés. Mas o último terço surpreende com reviravoltas imprevisíveis, e as suas cenas de paraquedas acrescentam, às dos surfistas, uma bela poesia do estilo de vida livre (que define os personagens do filme). O final acrescenta um pouco de profundidade, mas pode sentir-se que foi planeado e remodelado mais tarde, meio ano após a finalização original do filme. O que é hoje difícil de suportar nesta obra é a horrível música de «ação» de Isham (uma confusão de instrumentos de percussão e sem motivação). Apercebemo-nos aqui de como Zimmer e os seus especialistas mudaram completamente a cara da música de filmes de ação de Hollywood.
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A solid hit in our cinemas in the early 90s. With a bit of hyperbole, a wittier Baywatch meets a buddy-cop movie like Lethal Weapon – gorgeous waves, surfing, a sense of unbridled freedom, and a criminal plot led by two handsome men with considerable acting talent. All this under the direction of a lady who proved that working with her husband, the famous James Cameron, this time in the role of executive producer, suited her perfectly. It's simply impossible not to succumb to the superficial feeling; all those beautiful shots with wild waves and brave surfers are just asking to be put on a calendar, and together with the parachute scene they can give you a pleasant chill. I have to admit that I was a little jealous of Swayze’s Bodhi's search for freedom and the spiritual side of the sea, and I would love to trade places with him for a while. The unconventional ending and the casting of the well-known representative of assholes of all kinds, Gary Busey, in perhaps the only unreservedly positive role of his career are also a delight. All in all, a happy 3*, the fourth one was definitely raised by the funny cameo of Anthony Kiedis, frontman of the Red Hot Chilli Peppers, playing a bad guy, and his cool catchphrase "That would be a waste of time…".
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The film features a great Swayze and Reeves, a funny Busey, and mainly amazingly-filmed surfing. It’s all underscored by Isham's ethereal music, interestingly contrasting with the lively action, where even the iconic jump without a parachute pumps gallons of adrenaline into the audience’s veins, making one wonder how Kathryn Bigelow does it. This woman just has to have balls. Half the guys in Hollywood don't make action movies this vibrant.
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It’s a beautiful movie, what else can I say? It’s simply a beautiful movie. At the beginning you have no idea what to think. Nevertheless, Keanu Reeves immediately puts on the air of a sharp-eyed rookie, and dives into his case. Everything on that coast is moving with a loose pace until there are scenes that I didn’t believe I’d ever see in a movie. The reviewer Enšpígl said it beautifully. There’s plenty of room for the freedom of the human spirit. It’s easy to listen to and even more to experience when you actually dive into the movie. Some scenes stuck in my mind and I might never get them out of my head and I’m already looking forward to watching the movie again. If nothing else, the ending is out of this world. And if anyone says otherwise, they’re just weird...
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Definitely an action classic in its day, but this film hasn't really struck me much nowadays. Keanu Reeves and Patrick Swayze are great, the action is pretty decent, but I wasn't impressed with the surfing thing, I wouldn't mix that into the action genre at all. 65%
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Point Break has one enormous advantage over the overwhelming majority of similar films, we truly believe in lines and toughness of the main characters. So, the talk of the extraordinary secrets of the sea and the idea that one can be above the law does not sound like silly nonsense from a teenage soap opera, but becomes unforgettable, especially when they come from the mouth of Patrick Swayze. The action itself is incredibly rough and raw, and the film has a thrilling pace. It's not just about pretty faces, this film is a politically incorrect, adrenaline-fueled, breathtaking ride overflowing with testosterone.
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Kathryn Bigelow simply has a knack for making films where guys are tough, and you'd want to be like them. Or at least you enjoy watching their fates unfold. Patrick Swayze has incredible charisma here and easily overshadows Keanu Reeves, although Keanu really tries not to just be a sidekick. I was pleased to see Gary Busey in a positive role.
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