Realização:
Marta FerencováCâmara:
Mário OndrišElenco:
Petra Hřebíčková, Tatiana Dyková, Eliška Balzerová, Branislav Trifunovic, Janko Popovic Volaric, Valentýna Bečková, Ľuboš Kostelný, Marián Mitaš (mais)Streaming (1)
Críticas (6)
À primeira vista, o filme parece um drama romântico cómico da vida com muita emoção e humor, mas isso não seria o caso dos cineastas por detrás dele, que fazem coisas como «emoção», «humor» ou «da vida» parecerem algo obscuro de outro universo. Uma mistura de géneros díspares e miseravelmente escrita, começa com uma leve nota de comédia de relacionamento de estilo de vida (mas de facto não tem piada nenhuma), depois vai-se a transformar gradualmente num psicodrama bruto, sem qualquer vestígio de uma tentativa de comédia. No entanto, o filme também não segue o caminho realista - pelo contrário, é apenas um tronco superficial e em ruínas, construído sobre uma base psicológica duvidosa. O objetivo era obviamente satisfazer os fãs de dramas deprimentes e os fãs de comédias de relacionamento ao mesmo tempo, mas esta era uma batalha perdida de antemão. O resultado é terrível, vazio de conteúdo, alternando aleatoriamente entre humores incompatíveis e seguindo um modelo preguiçoso em que os homens se comportam como sociopatas e as mulheres estão destinadas a amá-los, a perdoá-los constantemente e a deixá-los escapar com tudo. O que parece particularmente fora de lugar num filme sobre mulheres, escrito e realizado por mulheres. O facto de os principais papéis femininos serem desempenhados por mulheres checas, enquanto os principais papéis masculinos são desempenhados por jugoslavos que são muito mal dobrados em checo, é apenas uma cereja no bolo. Poder-se-ia ter adivinhado que seria um massacre dos bizarros créditos de abertura, em que primeiro o livro modelo do filme passa pela Terra digital no espaço, seguido, sem relação com o resto do filme, por um rádio de banda desenhada a puxar um astronauta num descapotável vermelho.
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When a domestic film with familiar faces is released cinemas, it feels almost like a holiday, as almost everyone who’s at least 40 goes to watch it – the last time I saw a cinema this packed was maybe with The Avengers. Despite my big fears, it's ultimately a digestible one-off where the humour relies on the sex scenes, which are delivered in a really funny way. The surprise is the second half, where the romantic comedy turns into a fairly dense emotional drama – you could hear a nail falling in the cinema during the dinner scene. The little girl, played by Valentýna Bečková, is the biggest trump card of the whole film, this kid will go far. Surprisingly fine. 6/10.
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I just have a soft spot for Petra. I know, she keeps getting the same roles, she keeps playing the same roles, but I find her inexplicably likable and I can't be completely critical of her. And so I watch movies I probably wouldn't normally watch. So there's the added bonus of Eliška Balzerová, who I always love watching too. The male part of the cast, on the other hand, is so, so pathetic (and the dubbing certainly doesn't help), plus the characters are written incredibly stupidly. Likewise, they made Tatiana into a complete bimbo and the most naive and simple woman I could ever imagine. Barely 3 stars; at least I didn't get bored.
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This film is truly a mistake. This isn't a silly cute romantic comedy for undemanding female viewers - this is a pathologically harmful attack on the already low level of intellect of all the people involved in the creation of such crap and those who, under the impression of harmless entertainment, decide to face this bullshit of unbelievable proportions. The patterns in which these characters move are as horrific as the stereotypes they are portrayed with. I prefer porn, which is cleaner in terms of genre, more acceptable in its acting, and not harmful to society in the broadest context. Also, no one is forced to look at Tatiana Dyková's face. As the saying goes: some people read so they don't have to think...
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I have to say outright that I was expecting to boo this. However, this hodgepodge of genres did not annoy me quite as much, the story developed differently from what I had expected and Petra Hřebíčková did not flash her fake smiles of the Katherine Heigl type. In any case, the script wasn’t worth much, the whole oh-so-funny storyline with Tatiana Dyková was downright terrible, and the post-synchronization was awful. Anyway, here goes one star.
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I have very conflicted feelings about this. On the one hand, I quite liked it, but on the other, about a thousand things annoyed me. I didn't enjoy many of the humorous moments, and if I did, they were mostly unpleasantly sexist. The drama only kicked in briefly towards the end, which, combined with the overall comedic tone, didn't quite work well together. Even if Eliška Balzerová tried her best, it was impossible to overlook how the others, especially the male part of the cast, spoiled it. Only little Valentýna Bečková and sometimes Petra Hřebíčková managed to keep up with Eliška. (45%)
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