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Matvey (Aleksandr Kuznetsov) has just one objective: to gain entry to his girlfriend's parents apartment and kill her father Andrey (Vitaliy Khaev) with a hammer to restore her honour. But all is not as it initially seems, and Matvey's attempts to bludgeon the family patriarch to death don't quite go to plan as Andrey proves a more formidable not to mention ruthless opponent than he anticipated and Matvey, for his part, proves stubbornly unwilling to die. (Arrow Films)
(mais)Críticas (7)
O início do filme violento/sangrento de dois bandidos numa sala de estar é prometedor e entretém tanto com visuais fixes como com uma hipérbole humorística. No entanto, à medida que as razões do confronto agravado são gradualmente reveladas e mais dois personagens entram em cena, chega-se a um final onde perde a sua soberania e vacila um pouco. As ressurreições e outros disparates vão contra o realismo físico que foi o seu maior orgulho. [Sitges FF]
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A Russian take on Tarantino that, honestly, entertained me more than Tarantino himself. It’s straightforward, bloody, and gloriously over-the-top in that uniquely Russian way. Pure, unapologetic fun from start to finish.
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The Russian Tarantino in a grotesque revenge ride that doesn't mess with anything. A girl asks her boyfriend to kill her father for childhood abuse and he takes a hammer and goes to settle the score, but he probably didn't count on her father being a cop and a big shot at that. It's almost an hour long duel between two men who cut each other with whatever is at hand, and not only is it fun, but the film is pretty uncompromising in terms of gore. The drill scene is definitely the craziest in the film, but even a shotgun blast is a treat for many an eye. For an intimate film, it's very entertaining, very brutal, packed with decent slow motion and there are some unexpected twists. Recommended. Story****, Action****, Humor***, Violence****, Entertainment****, Music****, Visuals***, Atmosphere****, Suspense***. 8/10:
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This is a movie by director and screenwriter, Kirill Sokolov, who takes us on an excursion to the apartment of a typically corrupt Russian policeman’s family, where a young man knocks on the door with a hammer in his hand and a plan in his head, to please his cold-blooded girlfriend. However, events soon take a slightly different turn from what he had expected and his plans go awry. This is a well-produced black comedy which excels in innovative fight scenes, in which there is no shortage of twists and extreme action. However, outside of the action scenes, the movie loses dynamics, due to the characters usually delivering some comparatively ordinary dialogues that don't have much point to them and are not able to hold the audience’s attention. Nevertheless, this movie was quite a pleasant surprise. The time flew by, and I had a really fun experience watching this at a late-night showing. [Sitges 2019]
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A brutal treat from Russia that should thrill anyone who loves a mix of raw violence, dark humor, and a bit of absurdity. The film almost entirely takes place in a single apartment with five characters, only venturing outside for flashbacks that nicely flesh out motivations and behaviors, crucial for understanding the main events. The inspiration from Tarantino and Ritchie is clear and works in the film's favor rather than against it. The impact of the depicted violence is heightened by the use of purely practical effects – a top-notch aspect of the film. I love films that don't take themselves too seriously yet manage to deliver top-notch entertainment without holding back. For me, this was a huge surprise.
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[FOD] Amélie in which people get beaten up with a television. And with a drill, a mug, a shelf, an elbow, a knee, the barrel of a shotgun, etc. etc. In a full cinema, it's catalogue camp where you enjoy every punchline or bloody veneer. I was missing this.
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A Russian take on the greatest film hits of Tarantino and the Coen brothers. I didn't expect much from it, but I was pleasantly surprised. In the opening minutes, it unfolds into a literally and figuratively crazy spectacle, with no shortage of shotguns and flying TVs. The detective father is, for me, the best-written character; I enjoyed his lines, and overall, he was great. The other characters felt somewhat sidelined, though I did find Yevgenovich and his entrance amusing. The dark humor, which is the main draw, works fairly well, with some scenes being quite funny (the whole situation with the police handcuffs was incredibly amusing). The ending is full of twists, but for me, they slightly overdid it with how many there were. So, all in all, I would definitely give the film a chance; it has something to offer, but don't expect anything extraordinary. For me, it's a 6.5/10.
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