Realização:
John KrasinskiArgumento:
John KrasinskiCâmara:
Polly MorganMúsica:
Marco BeltramiElenco:
Emily Blunt, Cillian Murphy, Noah Jupe, Millicent Simmonds, Djimon Hounsou, Wayne Duvall, Okieriete Onaodowan, Blake DeLong, John Krasinski (mais)Streaming (2)
Sinopses(1)
Following the deadly events at home, the Abbott family must now face the terrors of the outside world as they continue their fight for survival in silence. Forced to venture into the unknown, they quickly realize that the creatures that hunt by sound are not the only threats that lurk beyond the sand path. (Paragon Pictures)
Vídeos (15)
Críticas (13)
A direção é incrivelmente pretensiosa no suspense das cenas, como se servisse a revolução do género. No entanto, não serve nada de inovador (exceto a ideia original de silenciar o som no caso da rapariga surdo-muda) e inspira-se noutros lugares (o espetáculo da câmara na grande abertura no estilo de Guerra dos Mundos de Spielberg). O principal problema do filme, porém, é o contraste ainda maior entre os grandes visuais e o argumento parvo do que no primeiro filme. O filme carece da inteligência básica e lógica essencial de argumentistas experientes de pensamento complexo. E com o boost de suspense da direção pelos visuais interessantes rodeados de tanta tolice, os criadores (involuntariamente) confessam a sua própria pretendida sofisticação criativa, que por vezes é quase ridícula.
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Uma decente continuação na qual talvez apenas varie tudo o que já foi estabelecido pela primeira parte, mas ainda assim numa forma muito atraente e sem momentos vazios. E Cillian Murphy foi um excelente acrescento ao elenco. Só tenho de admitir que, embora tenha aceitado algumas decisões duvidosas dos personagens na primeira parte, tive de abanar a cabeça algumas vezes.
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At some point before the end of the first film, I already felt this world was a bit exhausted and I didn't quite feel the need to return to it. The sequel confirms that feeling, unfortunately. John Krasinski basically repeats what worked last time, and I'm going to believe that it's not because he can't do anything else, but rather because his world doesn't stand on a strong enough foundation on which to build a full-fledged sequel. If, however, you caught the last one before the closing credits and you're in the same boat as me, you're going to get a bit lost in the sequel. Krasinski is very confident in the action scenes, he can also get the atmosphere right and his scares are in the right places, but the whole thing feels somehow unnecessary. Trying to expand the world doesn't lead to anything interesting, Cillian Murphy's character doesn't really work, and trying to split up the protagonists and spread them out over several locations and give each one their own challenge or problem misses the mark too. It's more like Krasinski is chasing minutes and trying to get to the end credits as soon as possible so that the audience doesn't notice that this sequel doesn't make much sense and just varies what the first film impressed with. There really aren't many new ideas here, and I can easily do without the third film.
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The first film caught me off guard with its unique concept, but the sequel doesn't quite manage to surprise in the same way. A Quiet Place Part II feels more like a continuation rather than an evolution, with nothing that truly elevates it beyond the original — except for Cillian Murphy, who brings the most interesting character into the mix. Otherwise, it follows the Hollywood playbook: no bigger action scenes, no greener pastures. It almost feels like the first film was just the halftime of the story.
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It bothers me a bit that all the plot of the second A Quiet Place stems from the fact that one of the characters comes up with a fairly sensible plan, but instead of thinking it through calmly and discussing it with the others, she immediately sets out to implement it herself, which, of course, sets in motion a number of problems and dangerous situations for herself and the others. It also suffers a bit from the syndrome of the second part of a trilogy (I reckon there’ll be a another sequel), which de facto doesn't begin or end in any way. And ultimately, I could’ve done without those cheap jump scares. Despite all that, however, this is very effective monster horror, and since this is my first cinema experience after ten months of covid misery and suffering, I can't go below a four.
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