Realização:
Nicolas Winding RefnCâmara:
Darius KhondjiMúsica:
Cliff MartinezElenco:
Miles Teller, Nell Tiger Free, William Baldwin, John Hawkes, Callie Hernandez, Jena Malone, Christine Horn, Augusto Aguilera, Jeremy John Wells (mais)Episódios(10)
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Volume 1: The Devil (E01)
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Volume 2: The Lovers (E02)
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Volume 3: The Hermit (E03)
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Volume 4: The Tower (E04)
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Volume 5: The Fool (E05)
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Volume 6: The High Priestess (E06)
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Volume 7: The Magician (E07)
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Volume 8: The Hanged Man (E08)
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Volume 9: The Empress (E09)
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Volume 10: The World (E10)
Sinopses(1)
Detective Martin Jones leads a double life as a killer for hire in Los Angeles' deadly underground. Coming under the sway of Viggo, a mysterious vigilante with an apocalyptic vision, Martin suffers an existential crisis, which leads him deeper into a blood splattered world of violence and murder. This dark odyssey takes Martin to the deserts of New Mexico, and a pair of Satan-worshipping brothers who have their own ideas of good and evil. (Cannes Film Festival)
(mais)Vídeos (3)
Críticas (2)
Um polícia de noir de Los Angeles que passa as suas noites a limpar o mundo do nojo mais nojento. Sombrio, atmosférico, feroz, reminiscente de Estrada Perdida e 8MM em flashes, com uma pungente descoberta dos tabus sexuais mais escuros. Isso não será uma série, mas sim um filme de 15 horas, uma obra total de Refn para os curiosos e endurecidos. Nada de flutuar sobre uma superfície bonitinha como no The Neon Demon, mas um desdobramento suave de histórias perturbadoras que se quer, até se ter de, testemunhar — se tiver a coragem e o estômago para isso. Os episódios 4 e 5 foram apresentados com grande encanto em Cannes, o primeiro introduziu personagens-chave e o segundo inseriu o público num êxtase cinematográfico imersivo construído sobre a atmosfera, choque e suspense. Revelar a depravação e perversidades do mundo dos vilões com o desejo do espetador dum ajuste de contas sangrento, com desenvolvimentos imprevisíveis e interlúdios de direção engraçados. O excêntrico Cliff Martinez, com o mestre Khondji de Seven - 7 Pecados Mortais atrás da câmara. Armazéns frescos, bares escuros, desertos secos, becos traseiros de LA. Néon colorido. Fascistas, satanistas, sádicos e violadores. Best of Refn! [Cannes]
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Is the director’s personal statement that men deserve to die young? Or is it a metaphor for the neverending clash between good and evil? A journey full of killing, long shots and bizarre interludes with dancing Mexicans and a growling dad (by means of a plush-toy tiger) will either captivate you or you’ll bin it before it has a chance to get going. The most ordinary, middle passage could work as a movie in itself. In places, Too Old to Die Young reminds one of an early Kitano movie, just with Mexicans instead of Japanese. + Khondji’s fantastic camerawork and the polished visuals, where each shot looks like a photo prepped to be posted on Instagram. As for the story, Brubaker and Refn mix the realistic depiction of violence with mysticism similar to the comic book Fatale. Some scenes are really funny and original (cartel TV and 25,000 likes), but some make you feel almost physically ill. Martinez’s music is spot on for the neon tone and often as equally bizarre as the weirdness taking place on the screen. Teller is really good despite merely follows the creators' commands like everyone else involved. It didn’t seem to end, but I don’t expect to see another season.
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Galeria (17)
Photo © Amazon Studios
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