Realização:
Ishirō HondaMúsica:
宮内国郎Elenco:
Kenji Sahara, Yutaka Sada, Tomonori Yazaki, Machiko Naka, Hideyo Amamoto, Ikio Sawamura, Osman YusufSinopses(1)
Ichiro is a latch-key kid in the late 1960s Japan, a country drowning in urban blight and big, nasty bullies. He escapes his dreary life by dreaming of Monster Island, a fantasy world where Godzilla rules and Ichiro is befriended by Godzilla’s son, Minilla, who's experiencing his own troubles with a bull monster, Gabara. When Ichiro is kidnapped by crooks, the lessons learned from his monster pals help him stand up for himself and fight back. (texto oficial do distribuidor)
(mais)Vídeos (1)
Críticas (2)
11) GODZILLA´S REVENGE – ORIGINAL SHOWA SERIES 1954-1974. The most infantile episode and a debasement of the Godzilla saga. The film follows the character of a young boy who in his dreams is transported to Monster Island, the home of Godzilla and all the monsters that had to do with him in previous films. The boy's guide on the island is Minira, Godzilla's son. It's hard to liken this creature to anything, it looks like a cross between a human, a gorilla, a lizard and God knows what else; it can talk, it's really fucking cute and just looking at it makes you laugh. Together with the boy, he watches his dad (Godzilla is said to be male) fight other monsters with passionate encouragement, interjecting now and then and letting his dad teach him how to whip the characteristic blue flame. In real life, outside his Godzilla dreams, the boy is inspired by Miniro's courage, remembers Godzilla's words that we should fight and not be cowards, defeats two thieves hiding at his house and beats up a boy who was mocking him. The infantile script is like something out of a kids show, obviously aimed at the youngest audience and with a hidden educational message: "You have to be brave and know how to defend yourself, look, Godzilla is not afraid either!" and the whole thing is about as witty as Pokémon.
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All Monsters Attack is really a family film, where the monsters are used rather marginally and take up a minimum of the total runtime. Even the freedoms are not lengthy and are minimal. But that's simply because this one has a different structure compared to other kaiju films, and the monsters are just a backdrop for a little boy to find enough strength within himself to confront his own monsters.
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Galeria (25)
Photo © Toho Company
![Godzilla, Minilla, Gabara: Oru kaidžú daišingeki - Do filme](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/159/722/159722665_439ade.jpg)
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