Realização:
Roland EmmerichCâmara:
Robby BaumgartnerElenco:
Halle Berry, Patrick Wilson, John Bradley, Charlie Plummer, Kelly Yu, Michael Peña, Donald Sutherland, Eme Ikwuakor, Carolina Bartczak, Maxim Roy (mais)Sinopses(1)
No filme Moonfall, de Roland Emmerich, uma força misteriosa tira a Lua da sua órbita em torno da Terra e envia-a numa rota de colisão capaz de aniquilar a vida como a conhecemos. Semanas antes do impacto, e com o mundo à beira de aniquilação, Jo Fowler (Halle Berry), executiva e ex-astronauta da NASA está convencida que tem a chave para nos salvar a todos – mas apenas um astronauta do seu passado, Brian Harper (Patrick Wilson), e o teórico conspiracionista, K. C. Houseman (John Bradley), acreditam nela. Estes heróis improváveis vão ter de se lançar numa última missão impossível no espaço, deixando para trás todos os que amam, apenas para descobrir que a nossa Lua não é o que pensávamos que era. (Cinemundo)
(mais)Vídeos (13)
Críticas (13)
De tudo o que fez o filme B do mesmo género The Tomorrow War do ano passado tão grande (trabalho inventivo com clichés, emoções sinceras, estilização visual agradável) não há aqui nenhum vestígio. Emmerich desapareceu num buraco negro. Este nem pode ser o seu filme. Ou talvez ele se aperceba apenas que não tem mais nada a dizer depois de 2012. O argumento de asylum com um casting de filme A. Ainda não consigo acreditar que vi Patrick Wilson e Halle Berry recitando esses diálogos.
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The moon has deviated from its orbit and will collide with the Earth in a few weeks. Only two former astronauts and one annoying conspiracy theorist can save the world, but they have no idea what awaits them in space. Roland Emmerich rips himself off and makes another disaster movie, but one that is a shadow of Independence Day or 2012. It's just not very entertaining this time around, which makes how stupid it all is stand out that much more.
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In terms of price and performance, Roland Emmerich has already destroyed the planet several times in a much better way and with a nicer humanistic furor. This incel-conspiracy vision is fine as long as it plays by the rules of a disaster film, but then my brain was skipping out on this attempt at lobotomized sci-fi. It should have ended up on Netflix, because I haven't seen such ugly green-screens on the big screen in a long time. Being able to put the laundry in the washing machine and look out the window would only have added to the film. I don’t expect much from Emmerich, but certainly something more fun than Moonfall.
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It has a bit of an Independence Day 2 feel. I like Emmerich, he handles the VFX attractions well, but the rest is noticeably inferior to the competition. I found everything here to be incredibly rushed forward (it's quite a ironic that Don't Look Up was able to present the threat in a much more interesting, exacerbated and intense way), which is a shame, I believe with a strong background this could have been very good. At the same time it's a shame that Emmerich had to mix in artificial intelligence and aliens, in other circumstances I would have welcomed it, but here the threat of the moon alone would have been enough to give the whole thing a more serious feel. It's cheesy and quite entertaining, but it's a shame that the destruction itself takes a while. 5.5/10.
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This is so heavenly stupid that it's kind of beautiful. This movie is about 60 years late, and that's actually a good thing. I felt like I was watching vintage sci-fi from the 1950s again, only that Roland goes much, much further with the stupidity. In the 1950s, during the Golden Age of science fiction, these pieces were made like Bata's trainers, nothing makes sense to today's viewer, but you still have fun and smile because you can feel the sincere effort to make a good film. Probably like Edward D. Wood Jr. when he was hanging models of flying saucers on string, Roland has the technical side of the craft down pat, but the boys are on the same page in terms of message. Emmerich is a genre on his own. I don’t want to watch it again, but it was a guilty pleasure.
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