Realização:
Quentin TarantinoArgumento:
Quentin TarantinoCâmara:
Robert RichardsonMúsica:
RZAElenco:
Uma Thurman, Lucy Liu, Vivica A. Fox, Daryl Hannah, David Carradine, Michael Madsen, Julie Dreyfus, Chiaki Kuriyama, Sonny Chiba, Chia-Hui Liu, Michael Parks (mais)Streaming (1)
Sinopses(1)
The Bride wakes up after a long coma. The baby that she carried before entering the coma is gone. The only thing on her mind is to have revenge on the assassination team that betrayed her - a team she was once part of. (texto oficial do distribuidor)
Vídeos (1)
Críticas (13)
Uma delícia de fashion puramente visual e acústica com uma paleta de humores que muda de cor. Mas é um erro avaliá-lo por si só. A primeira metade é um pouco sem energia, enquanto mal podia respirar durante a segunda. Em teoria, a sequela Volume 2 deveria começar do mesmo modo que a segunda parte. Se começar, estou muito curioso para ver qual será o clímax de toda a show. Se realmente crescer ainda mais, o resultado de três horas será uma obra brilhante. Acredito que isso acontece. E pergunto-me uma questão fundamental: Será que é possível fazer uma sessão de cinema tão espetacular e fixe a partir de um tema tão simples?
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Several years after the unbearable hype faded, Kill Bill is still a spectacle that has no equal in the realm of multi-genre action. Despite Quentin Tarantino being somewhat annoying from a media standpoint during this period, his sense of the tempo of revenge, the soundtrack, and the supporting characters were almost perfect. And when Hattori Hanzo appears and I have to swallow all my previous judgements, there is nothing left to do but give it five stars.
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A cool rip-off of Shogun Assassin with references to a couple dozen other films. One big stylistic exercise, which in the shadow of the brilliant Volume II completely loses its meaning and unnecessarily takes away from the credit of the whole. ♫ OST song rating: 4/5
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Forget about seeing just another Tarantino flick. There’s none of his typical catchphrases, nor a plethora of absurd situations. One of the few echoes of his first two films is the absurd scene in the hospital when "Buck comes to fuck" and then his favourite ordering of the plot into chapters. At times I was emotionally moved, at times I was thinking, "Is he being serious? We're supposed to buy this?" But I didn't move a muscle the whole time I was sitting in my chair. There are scenes with a very magical atmosphere, especially the final duel with in the snowy Japanese garden, with Lucy Liu in a white dress and slippers, falling snowflakes and contrasting with Uma Thurman's yellow suit, all beautifully lit and the interesting sound of a water pump. Or for example the moment when during one of the fights the background suddenly changes to a blue screen with black frames, with only the silhouettes of the fighters in front of it is very impressive. Kill Bill has so many audio-visual sensations that the hour and a half was more than enough. The plot may be shallow (the final sentence made me feel like I was hearing a snippet from a soap opera), but form overwhelmingly wins over content. Tarantino managed to turn a well-trodden genre and not very original premise into a very impressive spectacle. We'll see with Volume 2 if it holds up. PS: This film must be watched in widescreen! It loses a lot with the TV crop.
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The positives are clear: it's nice and colorful, it's got a good camera and nice hit music. It also has a "cool" pulp aesthetic. That's what pets like, right? And it's sweet postmodern “shit". A beautiful video clip. Great craft, Quentin is good at that. As well as magnificent boredom and the best filmed vacuum I can imagine. Pulp Fiction may have been silly, but at least it had something inside. Kill Bill is only able to pile up clip sequences and obscure the absolute lack of narrative dynamics with subtitled chapters, nice manga sequences, and a stylish (and utterly self-serving) narrative multi-voice. Dear Quentin, I thought I didn't like you, but Kill Bill brings a whole new intensity to our relationship. And Uma is quite pretty... It's a good thing you and I have something to talk about, man. Bleh!
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