Realização:
Joel EdgertonArgumento:
Joel EdgertonCâmara:
Eduard GrauElenco:
Jason Bateman, Rebecca Hall, Joel Edgerton, Beau Knapp, Busy Philipps, Allison Tolman, Katie Aselton, Susan May Pratt, Wendell Pierce, Nash Edgerton (mais)Streaming (1)
Sinopses(1)
Simon (Jason Bateman) e Robyn (Rebecca Hall) são um jovem casal cuja vida corre como planeado, até que Simon encontra casualmente um antigo colega do liceu, e esse acontecimento vai transformar o mundo deste casal num caos angustiante. Ao início, Simon não reconhece Gordo (Joel Edgerton), mas quando uma série de misteriosos encontros indesejados entre eles assumem uma dimensão preocupante, um segredo horrível do passado de Simon acaba por emergir após mais de 20 anos escondido. (NOS Lusomundo Audiovisuais)
(mais)Vídeos (16)
Críticas (9)
Um drama psicológico solidamente desenrolado, que, com a entrega do ponto de partida final, que pretende ser chocante, se afunda ao nível dum filme de género fácil de esquecer. Um trabalho tão inteligente com a psicologia dos personagens teria tornado o filme mais forte e mais pessoal com uma execução mais minimalista (não subestimar o espetador e chocá-lo com meras pistas perturbadoras).
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Simon Says: go watch this movie. The trailer isn't too exciting, because it doesn't have much. There is no blood, no murders or violence, so this is a light thriller, more of a psychological drama, but intelligently written and directed, and it revels in original twists and even has two solid scares. I was disappointed by the ending, which leaves the viewer with a lot of unanswered questions, I personally don't like that, but thumbs up for the revenge being different from what we've been used to so far. On the plus side, it was difficult to pick a good guy: one is a badass the other is a weirdo. A very high quality film. 80%.
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What the advertising sold as a run-of-the-mill stalker thriller it’s actually an ambitious and smart psychological drama with only hints of the genre elements of thriller and horror (the film probably has the ugliest jump scare of the year). Even after the end, the film is a fable with lots of empty spaces that could be easily filled with fairly different versions of the events, which makes for post-viewing debates. Certainly, a surprise from first-time director Joel Egerton, I hope he’ll get back behind the cameras soon.
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A nice little present, though Hřebejk tackled a very similar theme with much more effect and grace in Honeymoon. I can't fault the film in terms of craftsmanship, and I give it a thumbs up for that one brilliant jump-scare, but the ending didn't make my jaw drop, it simply fizzled out. A good debut nonetheless, Joel Edgerton.
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I have to say that I like Joel Edgerton more and more. And he is going so far that apart from acting, he tries his luck in the role of a director, and as a director, he has completely won me over with the movie The Gift. A thriller which is suspenseful from the beginning until the end and at the same time it references the best movies from the genre and on top of that, it is completely believable and realistic. There is nothing too over the top, as movies often are. And on top of that, the finale sets off in such a way that the viewer cannot even afford to blink so that they wouldn’t lose a minute of suspense. Good job Joel!
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