Câmara:
Xavier GrobetMúsica:
Nick UrataElenco:
Margot Robbie, Will Smith, BD Wong, Rodrigo Santoro, Gerald McRaney, Adrian Martinez, Dominic Fumusa, Robert Taylor, Stephanie Honoré, David Jensen (mais)Streaming (2)
Sinopses(1)
Will Smith é Nicky, um experiente burlão que se envolve romanticamente com uma jovem vigarista de nome Jess (Margot Robbie). Reconhecendo o seu talento, Nicky dispõe-se a ensinar Jess os truques do seu negócio, mas quando ela se aproxima demais, ele rompe com ela abruptamente. Três anos depois, Jess – uma bem sucedida femme fatale – surge em Buenos Aires envolvida no mundo das altas apostas de corridas de carros. E agora, a antiga aluna vai envolver-se no mais recente, e muito perigoso, esquema de Nicky, provocar uma reviravolta... e deixar o mestre fora de jogo. (NOS Lusomundo Audiovisuais)
(mais)Críticas (9)
Focus started, offered something, and then bewitched me with the scene where Will Smith tricked a greedy gambling Vietnamese guy. During the scene, I literally stopped breathing, but afterward, it all went too hell because the movie became incredibly boring. Towards the end of the movie, it again scored some points with a more interesting scene and after that, it was already the end. Focus is like that. Overall, it was shit, but here and there it offers a cinematographic delicacy. Well, and whether it is worth watching, you have to judge that for yourselves. If you ask me, were it not for Will and Margot Robbie I wouldn’t even remember it a day after watching it.
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Focus tem um grande trunfo: é divertido e imprevisível nas suas reviravoltas de heist. E é visualmente lindo. Os trajes, os cenários, tudo tem um toque de glamour detalhado. Will e Robbie são bons, o ponto de partida da cena do jogo de futebol americano é ÓTIMO. Exceto que o final o leva para além da credibilidade ao tentar fazer a última e maior reviravolta inesperada. Menos teria sido mais. Ainda assim, dou-lhe quatro estrelas. Porque fiquei agradavelmente surpreendido com o filme, o que é raro para um filme mainstream de Hollywood com ambições não muito elevadas.
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Yesterday I wouldn't have believed myself to go to the cinema to see a film with the label comedy/crime/romance/drama and today I feel like going to see it again, because I haven't seen a more entertaining film since Kingsman this year. Incredibly funny, entertaining, well acted, very cleverly written and damn stylish. The whole thing is one big con that fucks with everyone in the film as well as the viewer and it works out great. The whole organization works more than successfully, Will Smith gives the ultimate performance, I don't remember him in this form, and the final twist is one of the best I've ever had the chance to see. It's an adrenaline rush that you instantly fall in love with and love the film immediately. You won't find a more beautiful and entertaining film involving thievery, pickpocketing and fraud. A gem. 100%.
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I put Focus on at a very emotional time in my life, when I was feeling everything much more intensely and perhaps quite uncritically. Anyway, it's a perfectly ordinary movie, of which hundreds have been made in America, but I still have my heart in my eyes and I'll argue that this one is much more powerful and profound. In fact, things spark like thunder between the truly divinely beautiful Margot and Will, and I felt that even Romeo and Juliet's love couldn't match theirs.
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A pleasant, genre hybrid with interesting twists and great actors. Smith was in desperate need for a come-back, and if it wasn’t for that (over the top) final twist, it would have worked. However, Margot Robbie confirms her abilities and comes across as a talented actress who has more to her than “just" the luck of catching Scorsese’s eye. A visual feast for the eyes.
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Focus is unpredictable in key twists, so different from most heist films, which often rely on meticulous visuals and period hits, but go forward with a smile and in clearly laid tracks. There is plenty of gloss here too, but you never know what card the main characters will turn over. It's a shame about the ending, which very far from believable. Because as long as stayed within the acceptable, it was a great thing with a contemporary atmosphere and downtempo music that looks and sounds fantastic on the big screen.
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If that clever cheat happened at the end rather than at the opening of the film, it would be a win. Instead, the screenwriters laid their cards too soon, and Focus then slowly dies out as the creators drown in a vain quest to surpass the beginning.
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I quite enjoyed the first half of the film, before the entire plot shifts three years forward. But then it started to become incredibly predictable, catering to the fact that Will Smith is in it and that the plot just couldn't afford to experiment a bit. Yes, he isn't a classic good guy, but his character is still clichéd, as is the whole story. At times it's sexy, but at other times it was a struggle for me, especially from a screenwriting perspective.
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A decent cast and an interesting topic, however, the whole thing kind of falls flat. Plus, I don’t know why but I had a feeling that Smith was incredibly annoyed by his comeback and found it irritating just to be on set. Let’s say it’s the fault of completely uninteresting dialogues or an overall bland story, and Smith will hopefully pull himself together before Suicide Squad.
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