Realização:
Ron HowardArgumento:
Charles LeavittCâmara:
Anthony Dod MantleMúsica:
Roque BañosElenco:
Chris Hemsworth, Benjamin Walker, Cillian Murphy, Ben Whishaw, Brendan Gleeson, Jordi Mollà, Tom Holland, Charlotte Riley, Joseph Mawle, Edward Ashley (mais)Streaming (3)
Sinopses(1)
In the winter of 1820, the New England whaling ship Essex was assaulted by something no one could believe: a whale of mammoth size and will, and an almost human sense of vengeance. The real-life maritime disaster would inspire Herman Melville's Moby-Dick. But that told only half the story. "In the Heart of the Sea" reveals the encounter's harrowing aftermath, as the ship's surviving crew is pushed to their limits and forced to do the unthinkable to stay alive. Braving storms, starvation, panic and despair, the men will call into question their deepest beliefs, from the value of their lives to the morality of their trade, as their captain searches for direction on the open sea and his first mate still seeks to bring the great whale down. (Warner Bros. US)
(mais)Vídeos (7)
Críticas (13)
Ron Howard não faz um mau filme. Só que, por vezes, não acerta bem no alvo. As poucas cenas da mesa onde a narrativa começa e termina são mais poderosas do que o próprio cruzeiro. No navio, o argumento avança através dum conhecimento não revelador dos personagens e coloca-os em conflitos previsíveis. Além disso, não retira o que podia do seu lugar na história, e por isso, em geral, não sabe bem o que quer dizer em primeiro lugar. Há vários temas, mas nenhum deles conduz o filme. Temos o conflito entre o capitão e o primeiro imediato, a busca da riqueza que culmina na tragédia, e a contemplação de até onde é aceitável ir para salvar a própria vida. Mas é tudo rotineiramente sugerido e não avança com a história. O elemento mais discutível do filme, então, é a matança de animais, que supostamente faz dos nossos personagens heróis, cumprindo o seu grande papel para que possam regressar às suas famílias. Os nossos dias não podem permitir-se uma tal constelação narrativa. O filme é bom de ver. As espetadoras, em particular, gritarão de êxtase. Mas não é o filme cativante que esperaríamos de Howard. Mostrou tudo o atrativo para o público na montagem da ação nos trailers, e o trabalho com os personagens, que lhe deveria ter dado um arco dramático, é mais fraco.
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What is a letdown for me is that "story-telling" line provides disproportionately more interesting characters (and also actors) than the "narrative" line where only shallow characters show up. And while Hemsworth carries the movies, at least because of his charisma, Walker doesn't. What is an even a bigger letdown is that it is often so obviously digital. There are not so many movies where it is so obvious that the actors are standing in front of a green screen in the studio, and all the rising waves and sea vermin are added subsequently. But even this can be done in such a way that you will not know it, but this is not the case. This is highlighted by the fact that, with a few exceptions, the camera zooms in on the actors’s faces and bodies in these scenes, which is rather unusual. Fortunately, there aren't that many these scenes, and as soon as it takes place in classic interiors and locations, it suddenly works much better. And why did I use a word letdown when talking about these two shortcomings? Because otherwise it's true classic (maybe too much though) manly old school maritime adventure movie about survival.
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The problem with this movie is that it was made by Ron Howard. So before I even put the movie on, I was expecting a cinematographic quality. In the end, I ultimately got it. But it was worse with the plot that actually tells a story about how people destroy nature and how nature, because it can, returns the favor with the same force. So not only did I not hold a grudge against that whale, but even the fishermen didn’t bring out any emotions in me. Not even in the moment when they were dying in a long and disgusting way on the remains of the ship after a month in the middle of an ocean. But Ron is a director with a capital D and despite this, he prepared a few unforgettable scenes and quality moments you cannot overlook. But still, the story and the emotions connected with it knocked the movie down to being average, which proves how easy a story can affect an otherwise quality movie.
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Ron Howard delivers an unexpectedly gritty survival drama with memorable scenes. A decently thought out story, an excellent Chris Hemsworth, a captivating demonic whale, solid visuals, working emotions and a decent dramatic line between the captain and the first officer are all here. There are a few uncomfortable scenes that are also a delight. The second half is already more tedious compared to the first, but I still have positive feelings about the film. The sea is cruel! 75%
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A digital sea, a famously moving camera, and useless protagonists. Howard's confident dexterity handles things for the first half, but the second half, when the waves calm down, is accompanied by his traditional pain - zero passion. The characters speak from behind fake beards and swollen lips, but there’s really no emotion to it. Fail. 2 and a ½. PS: The digi visual is the ultimate cornea-burning bullshit.
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Galeria (70)
Photo © Warner Bros. Pictures
![No Coração do Mar - Do filme](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/160/346/160346423_e967aa.jpg)
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