Realização:
Lasse HallströmArgumento:
Steven KnightCâmara:
Linus SandgrenMúsica:
A.R. RahmanElenco:
Helen Mirren, Om Puri, Manish Dayal, Charlotte Le Bon, Amit Shah, Farzana Dua Elahe, Dillon Mitra, Aria Pandya, Michel Blanc, Clément Sibony, Vincent Elbaz (mais)Sinopses(1)
Hassan Kadam é um novato em culinária, possuidor do equivalente gastronómico ao ouvido absoluto. Tendo saído da sua Índia natal, a Família Kadam, chefiada pelo pai, instala-se na antiga aldeia de Lumière, no Sul de França. Repleta de charme, ela é tão pitoresca como elegante, o lugar perfeito para se instalarem e abrirem um restaurante indiano, o Maison Mumbai. (NOS Lusomundo Audiovisuais)
(mais)Vídeos (21)
Críticas (3)
Three quarters of the film is shot like a margarine commercial, it takes seven thousand years, and the whole thing is as predictable as a pedophile in a sandbox. Food fetish (as opposed to foot fetish) is not a genre or a measure of a film's quality. And my Chinese soup agrees with me. PS: It would be great if Hallström would die already.
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It’s been a long time since I saw such an incredibly enjoyable movie as The Hundred-Foot Journey. From a xenophobic point of view, I have to praise the creators, because everyone here was really charismatic. And especially the Indian family, who didn’t hesitate to move into the house opposite a famous restaurant to open their own establishment there. It was all incredibly relaxing. Starting with the story, through the characters and ending with the filmmaking. And I really didn’t mind that the film was 122 minutes long. I enjoyed every minute and waited for what would come next, because the Indian audacity in that one small French village had taken my breath away. What I didn’t understand was the way how the French were portrayed in this film – especially somewhere in the middle of French vineyards in a village where it is difficult not to meet a French hillbilly. But strangely enough all the people there were speaking English. A bit of a mystery, that.
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If the film were significantly shorter and didn't resemble Chocolat in its setting, it would be a truly beautiful celebration of food. As it is, it's still a celebration of food, especially my beloved Indian cuisine, but at the same time, it's a bit of a drawn-out romance and a demonstration that in the end, it doesn't matter much if you're not happy.
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