Música:
Michael GiacchinoElenco:
Diane Lane, Amy Poehler, Mindy Kaling, Bill Hader, Kyle MacLachlan, Phyllis Smith, Lewis Black, Richard Kind, Jess Harnell, Carlos Alazraqui, Frank Oz (mais)Streaming (4)
Sinopses(1)
Riley é uma garota divertida de 11 anos de idade, que deve enfrentar mudanças importantes em sua vida quando seus pais decidem deixar a sua cidade natal, no estado de Minnesota, para viver em San Francisco. Dentro do cérebro de Riley, convivem várias emoções diferentes, como a Alegria, o Medo, a Raiva, o Nojinho e a Tristeza. A líder deles é Alegria, que se esforça bastante para fazer com que a vida de Riley seja sempre feliz. Entretanto, uma confusão na sala de controle faz com que ela e Tristeza sejam expelidas para fora do local. Agora, elas precisam percorrer as várias ilhas existentes nos pensamentos de Riley para que possam retornar à sala de controle - e, enquanto isto não acontece, a vida da garota muda radicalmente. (texto oficial do distribuidor)
(mais)Vídeos (30)
Críticas (18)
Unfortunately, I don’t share the surrounding enthusiasm. You can’t deny Inside Out’s brilliant core premise, which could be the basis of something truly exceptional and ambitious. The playfulness and creativity can’t be denied, either; the film is full of interesting visual ideas, gags, whatever (the switch to other heads). But everything around that, though effective, is just ordinary and predictable.
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Overrated utter shit that I felt like turning off after half an hour. For me, one of the worst animated films I've seen so far. Absolutely ugly and disgusting animation, the lack of humour is almost unforgivable, it's not funny at all, on the contrary it's a very depressing affair that will only please EMOs and most importantly it's strictly for kids under 5. Terrible! The only thing that separates me from a Boo! rating is the central idea, which was given a total of ten minutes. 10 percent infantile shit that I never want to hear about again in my life.
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Joy from sorrow. The joy of animation. The joy of discovering a new world. The gradual familiarisation with the rules of Riley’s inner universe (the film is most communicative in this respect even before the opening credits), which is entertaining in its appearance and everything that it references (psychoanalytical metaphors like dream factories, modern art, Disney movies from the 1950s), is gently incorporated into an adventure story about a budding friendship. The amusing falls, thrilling action scenes, jokes with the “maintainers” of the mind and the goofing around with Bing Bong – who is annoying in a Jar Jar Binks kind of way, but the filmmakers know that – all serve a purpose and help us get to know Riley in detail (notice the degree to which her identity is defined by playing very action-packed contact ice hockey, which is definitely not a traditional pastime of girls in American movies). We are thus entertained by the dynamics of the relationships between the characters, what happens and how the whole thing works. What happens “inside” has a direct influence on what happens “outside” and the relationship and plot lines are thus doubled, so there is always something on which to focus our attention and there is no risk that the film will get out of control. There is justification for the fact that neither of the parallel stories offers a traditional villain. The solution to the girl’s inner emotional crisis lies not in overcoming/eliminating obstacles, but in accepting them as part of her own personality (we recently saw an adult version of this in Wild). Few American films, let alone American animated films, have ever dared to cast doubt on the materialistically oriented ideology of individual happiness in this way or to assert that we should also value negative emotions (you never know when anger turned into a blowtorch might save a life). Unlike most feel-good genre films, the feeling of happiness here is not the goal or the solution, but only a means of finding inner peace, which does not derive solely from the individual’s own decisions. As Riley realises through the memory of losing a hockey match, followed by her parents comforting her and the encouragement offered by her friends, joy and sorrow work together best when we have someone to confide in. As we often retrospectively realise in real life, much later than Riley, happiness is other people (and hell is too, but that’s for another film). Thanks to this, the new Pixar movie speaks to all generations without for even a moment being preachy or blatantly lecturing us on the right way to live. Despite that, I can’t estimate how much children will enjoy a film that thematises (and very imaginatively visualises) nostalgia for childhood. For me, Inside Out is one of the most powerful film experiences of the year so far. Yes, I was moved. In this case, however, I don’t see that as having yielded to emotional manipulation, but as proof that the film worked flawlessly on every level and led me to exactly the emotional state that the filmmakers were aiming for. 85%
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A thrilling and nerve-wracking chase driven by a million-dollar idea, which propelled it forward. That alone would have been enough for a dazzling experience, if it weren't for Riley and her emotions taking it even further. The day after seeing it, every last one of us wakes up and ends up wondering who's currently running your head. At that moment, everything falls into place, and the second layer starts to work, where each plot chapter has undeniable significance. In the end, Pixar is reaching for immortality, because there will always be so many vulnerable and hurt teenagers everywhere.
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A divine fairy tale with tons of jokes, built on a great idea and great characters. The entire movie theater was laughing, the children were breathless, here and there a child whispered that he was scared, there was a conspicuous silence during the sad scene with the elephant, and finally everyone was breaking out in laughter again. I even felt as if someone had finally explained my behavior and that of all the people around me, and as I watched, my emotions clearly led to glowing joy. And maybe I was just getting manipulated inside my head, but I think this was one of the best cartoons I've ever seen. So everyone grab the kids and run to the movies to clear your head. And if you don't have kids, borrow some. And if they won't let you have them, go yourself, because this is worth it. 5 stars.
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Galeria (79)
Photo © Walt Disney Pictures
![Divertida Mente - Do filme](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/159/938/159938456_1af15e.jpg)
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