Realização:
Emilis VelyvisArgumento:
Emilis VelyvisCâmara:
Feliksas AbrukauskasElenco:
Vinnie Jones, Scot Williams, Dovile Karaliute, Gil Darnell, Mindaugas Papinigis, Andrius Žiurauskas, Arturas Aleksejevas, Sonata Visockaite (mais)Sinopses(1)
The plan was genius and it worked. Almost. The plan seemed 100% bulletproof - they take over an illegal casino in London, get the money, catch a plane to Malaysia and get lost in mind-blowing exotics of emerald jungle, golden beaches, cheap alcohol and teenage sex. The plan was genius and it worked. Almost. They accidentally get stranded in a middle-of-nowhere Eastern European country and have to fight their way back home through the land of whores, smugglers, dirty cops, cheap beer and sick fantasies in order to save their asses. (Eagle Entertainment)
(mais)Vídeos (1)
Críticas (4)
A segunda metade salva o filme, ao mudar-se para o campo e ao introduzir as personagens locais na história, é bastante engraçada. Mas são explorações e encontros de personagens constantes completamente ilógicos, quando e onde quer que seja, que nem sequer tenta fingir ser absurdamente aleatório, que arrastam o filme para o nível da comédia barata. Por outro lado, o que é agradável no filme, é que os Lituanos, admitindo a sua admiração por Guy Ritchie, fizeram um filme de ritmo rápido e frenético com uma estrela de ação britânica, ambientado em parte em Londres. E que não tinham medo de exagerar de maneira caricatural o seu país como um «cu de Judas da Europa de Leste», cheio de ladrões, pervertidos e camponeses mais grosseiros.
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An epic crazy action ride at Guy Richie's level and at the same time a solid ticket into the world of Lithuania.
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It's quite funny in places. I especially like that something came from Britain that, while it's action-packed and a thriller, still has some humor in it, and it's not too serious, which is what bothers me about many contemporary British crime films. The humor here is quite simple, but it's enough to meet the average standard.
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Boorish humour based only on corporeality and Eastern European stereotypes. It looks more movie-like than our Zdeněk Troška, but it’s not that different content-wise. For a moment (let’s say about half-hour) it’s bearable and sometimes even funny, but then you realise that there won’t be any other type humour and it becomes rather dull and cringe-worthy.
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