Realização:
Theodore MelfiArgumento:
Theodore MelfiCâmara:
John LindleyMúsica:
Theodore ShapiroElenco:
Bill Murray, Melissa McCarthy, Naomi Watts, Chris O'Dowd, Terrence Howard, Jaeden Martell, Kimberly Quinn, Lenny Venito, Nate Corddry, Dario Barosso (mais)Sinopses(1)
Maggie e o seu filho Oliver, de 12 anos, mudam-se para a casa ao lado de Vincent, um intratável veterano de guerra. Quando um dia Oliver fica preso fora de casa no regresso da escola, Vincent permite-lhe ficar em sua casa até a mãe chegar. Vincent está falido, tem contas até ao teto e desesperado por dinheiro. Vê esta situação como uma oportunidade e oferece-se a Maggie para tomar conta de Oliver todos os dias depois da escola. Mas como Vincent não é um vizinho qualquer, introduz Oliver ao seu estilo de vida, que inclui o jogo, a bebida e o seu relacionamento com uma prostituta russa. (NOS Lusomundo Audiovisuais)
(mais)Críticas (5)
As much as the film scored points here and there, for its thorough study of what my old age will look like, by the end it managed to blow them all with its cunning elegance. These safe bets irritate me, and I still hate myself for them, for the way they show my lowliness by making me predictably amused just by Bill Murray being alcoholically cool and pissing off the whole street. Fortunately, St. Vincent is pretty poorly shot, has downright terrible editing (it looks like they switched to PG-13 at the last minute), and the ending is exactly so wrong and unfunny that the real Vincent would have thrown a shoe at the TV.
()
Bill is back. E ótimo novamente. É como se estivesse a completar uma trilogia de personagens de O Amor É um Lugar Estranho e Flores Partidas. Mas enquanto a sua história e as dos seus vizinhos ou lady-of-the-night são transportadas num humor leve e contêm um monte de episódios engraçados, sofre de não ser original, de sentimentalismo, e não tem nada que ficar na memória. Todas aquelas caricaturas cómicas, o toque do mentor/ namorado ou as criações excêntricas de Naomi como prostituta russa saem como um pouco sem relevância. [San Diego Film Festival]
()
Even though the ending is full of pathos, I didn’t mind it at all. All the while I was watching this movie, I felt such a kind heart from it that the ending put me into an incredibly wonderful mood. Bill Murray plays a grouch who has such great reasons to act the way he does that even had he never starred in another movie I’d always remember him with fondness thanks to this role. But the movie is not about him alone. It’s also about a little boy portrayed by Jaeden Lieberher, his mom, but also about the teacher who’s bringing faith into it, which would usually annoy me just a bit. But in this case, I don’t mind at all, because everything is so beautifully natural and sincere that it gave me the impression that this world can’t be so bad after all.
()
Bill Murray is still far and away the best contemporary American actor to go to see at the movies. And if he's seconded by Melissa McCarthy and Chris O'Dowd and the comedic timing is absolutely spot on? Well, it means one thing. I'm going to watch it again.
()
As soon as I saw the poster, I said to myself, "This is going to be absolute nonsense." Well, I couldn't have been more wrong. It's not nonsense. The film got me and surprised me. Bill Murray is great here, and he plays a rather challenging role this time. I finally got a chance to see Melissa McCarthy in something where she can show that she is a capable actress. And in the end, there is also the excellent Naomi Watts, who is also different than what we are used to from her. And great child actors. I thoroughly enjoyed this with all the emotions that came with it.
()
Publicidade