Realização:
Michaël R. RoskamArgumento:
Dennis LehaneCâmara:
Nicolas KarakatsanisElenco:
Tom Hardy, Noomi Rapace, James Gandolfini, Matthias Schoenaerts, John Ortiz, Ann Dowd, Michael Aronov, James Frecheville, Elizabeth Rodriguez, Tobias Segal (mais)Streaming (4)
Sinopses(1)
Bob Saginowski finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood's past where friends, families, and foes all work together to make a living - no matter the cost. (texto oficial do distribuidor)
Críticas (6)
Amstel, Stella, Budweiser and Stella. I’ll never go into a pub like this, especially in America, where there is an abundance of microbreweries. But this country is also home to some practices you wouldn’t want to be part of. And it is these practices that are the topic of this movie – The Drop. The thing that attracted me to watching this were mainly the actors, but also the story which seemed like a solid crime movie. The result, however, was as if I spent an hour and a half in some kind of a dream-like haze. All kinds of situations are happening, but it feels as if the audience isn’t a part of it at all. Then things get more intense and the final scene elevates this strangely mediocre crime movie to another level. Had it not been for the ending, I’d probably be complaining about what kind of crap Tom Hardy got roped into. As it is, this is a strange crime movie, whose mood is definitely not to everybody’s taste, but the ending must bring joy to anyone who likes suspenseful dialogs and dogs.
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Os filmes íntimos de gangsters ambientados nos bares do submundo de Nova Iorque são atraentes para os espetadores, especialmente com um elenco como tem The Drop. O filme entretém, despertando a curiosidade sobre como as relações entre os personagens se desenvolverão e como será o clímax dramático que esperamos. Mas não recebemos esse tipo de surpresa ou drama desta vez. A direção diminui o potencial de surpresa, sem os contornos-chave de um arco dramático que deveria fazer sentido no final. É melhor ver os seus irmãos de género mais polidos, Nós Controlamos a Noite ou The Departed – Entre Inimigos.
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I quite enjoy the general mockery of Ben Affleck's acting among film fans (along the lines of "the mob bitches, so I will bitch too"), but he's straight up Shakespearean elite against Tom Hardy, with a rich arsenal of facial expressions. I'm really sorry, but Tom Hardy with his permanent scowl is like the Chuck Norris of A-movies and his acting doesn't impress me at all. Looking at the permanent wrinkles on his forehead, I can think of a distant quote from one of the kleopatra reviews here: "If he had Botox injected into his forehead, he would be finished with acting."
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Fragile and polite. Roskam skillfully delivers the realism necessary for this type of story. He slowly raises the tension, tightens the noose. Impatient viewers will get bored and complain that there’s nothing happening, but it’s there, that unpleasant feeling that this is our world which the filmmakers don’t dispel until the ending (and that’s just the sound of high-heels). Tom Hardy carries the entire movie on his shoulders, he is as at home in a minimalist role (he also proved this in Locke) as in the role of a bad-ass tough guy, and this is a role is just perfect for him. Gandolfini’s swan song presents him in his classic position of “just a bit of a bastard", but he certainly departs with honor. An awfully pleasant movie that was easily better than most of this year’s Oscar winners that I have seen.
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These captivating crime movies, like Out of the Furnace and Blood Ties, very popular today it seems. And surprisingly, it still works quite well. It's not overloaded with action and it has a lot of clever dialogues and finely edited and developed scenes. This seemingly low-end, made on a shoestring, production of the second decade of the new millennium will someday have its own subcategory. Unfortunately, it lacks more sophisticated script and faster flow of the plot for a higher rating, but it's a good addition nonetheless. Tom Hardy isn't as cool as in Lawless, but he still rocks.
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The fact is that I really didn't expect this. At first, I was surprised by the pace at which everything unfolds and how the acting performances are adapted to it. However, then the poetics of this film, which surprisingly builds up to an unexpected twist, got me. Plus, Noomi Rapace is simply beautiful here, and I haven't seen her in anything for so long...
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