Realização:
Brad PeytonCâmara:
Steve YedlinMúsica:
Andrew LockingtonElenco:
Dwayne Johnson, Alexandra Daddario, Carla Gugino, Colton Haynes, Ioan Gruffudd, Archie Panjabi, Paul Giamatti, Kylie Minogue, Vanessa Ross, Morgan Griffin (mais)Streaming (3)
Sinopses(1)
Depois de a conhecida falha de San Andreas ceder, desencadeando na Califórnia um sismo de magnitude nove, um piloto de helicóptero de resgate e salvamento (Dwayne Johnson) e a sua ex-mulher (Carla Gugino) fazem juntos o caminho de Los Angeles até São Francisco para salvar a sua única filha. Mas esta arriscada viagem é apenas o início. E quando eles pensam que o pior já passou... está, na verdade, a começar. (NOS Lusomundo Audiovisuais)
(mais)Vídeos (13)
Críticas (13)
Uma contribuição inovadora sem cliché para o género talvez ninguém esperasse nem dos Warners. E a esperteza Emmerichiana e o modo de levar coisas com calma também, lá Roland é rei. Os personagens são bons, ao contrário de Dentro da Tempestade do ano passado. E ainda melhor do que em Poseidon. Fixe então, um ofício decente, sem erros ou surpresas.
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It's actually awful bollocks, but Dwayne Johnson is a likeable guy, Carla Gugino and Alexandra Daddario are very nice to look at, and there's always something going on. Sometimes that's all I need.
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The Americans tend to shoot a disaster movie once in a while, cry their eyes out and show Americanism in its harshest form. And they usually take down Los Angeles or San Francisco. It lies on two tectonic plates, so it’s strongly fitting for a similar movie. For many decades now. Fortunately, San Andreas doesn’t deviate from the standard and performs solid popcorn entertainment, which is supported by Hulk Dwayne and solid CGI. It’s almost a surprise that a similarly tuned movie wasn’t made by Emmerich, but by the talented Peyton instead, because he massacred the surroundings very well.
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The Rock is cool, no doubt about it. Otherwise, this is just a bunch of terrible, boring clichés, dull dialogue, amateurish acting and overwrought CGI; just everything I hate so heartily about the current mass production of the dream factory. And three people wrote the script for this? This shows that some professions in Hollywood are even easier than receiving welfare. I never thought I'd say this, but I miss Emmerich!
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My guess is that the screenplay was rewritten six times which, as a result, is not able to maintain even a hint of consistency / escalation in both storylines (family / seismologist). Horrible dialogues, rubber acting, tricks that can be bought for 100 million today, amusement park directing. For 4DX cinema, it can work as a tech demo. I am giving the film a single star just for its hint of an interesting ideological storyline, in which the almost shocking selfish concentration of the man responsible for saving others on his family plays a role. There has not been such a strictly individualistic disaster film for a long time that would place the restoration of America purely on the shoulders of capable individuals who fight only their private wars. Unfortunately, even this factor is there purely for laughter. This movie as broken as the world it depicts. The earthquake comes as a divine punishment when the characters have nothing more to say. And that's basically the case all the time with San Andreas. On my Richter scale of nonsense, it’s a pure ten.
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