Realização:
Colin TrevorrowCâmara:
John SchwartzmanMúsica:
Michael GiacchinoElenco:
Chris Pratt, Bryce Dallas Howard, Vincent D'Onofrio, Ty Simpkins, Nick Robinson, Jake Johnson, Omar Sy, BD Wong, Judy Greer, Irrfan Khan, Brian Tee (mais)Streaming (4)
Sinopses(1)
Twenty-two years after the events of Jurassic Park (1993), Isla Nublar now features a fully functioning dinosaur theme park, Jurassic World, as originally envisioned by John Hammond. After 10 years of operation and visitor rates declining, in order to fulfill a corporate mandate, a new attraction is created to re-spark visitor's interest, which backfires horribly. (texto oficial do distribuidor)
(mais)Críticas (16)
A dinosaur movie that you don't have to think about; if you happen to do so, you'll find it has a lot of plotholes. If you dwell on them, it becomes a pretty annoying movie; but if you get over yourself and think of it as just a children's story, you'll eventually find that it's not so bad after all. It's simply an homage to the original film by a fan who has added such typical fare to his homage as "I hate you, but I'll look at your tonsils for you", "I can handle the soldiers, but I let the kids get away", "look for the green and power-clouded brain behind all the trouble", "a loyal dog won't leave you". Just a popcorn movie with nice effects. It's got a twist here and there, and it ends with great conscientiousness. For kids of all ages. A better 3 stars.
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Um blockbuster que tem TUDO! A ligação nostálgica ao primeiro filme, a elaboração de dezenas de temas e ideias, o ritmo e rapidez da ação, faz com que o segundo e o terceiro filme se tornem spin-offs desnecessários (e eu adoro o segundo e não me importo com o terceiro). Há um carácter bem definido para todos em Mundo Jurássico — desde experimentar a aventura através dos olhos dos dois rapazes heróis, até às faíscas opostas entre o aventureiro simpático e a gerente fria e sensual, ao jovem geek de óculos com T-shirt «Jurassic Park» de e-bay, ou ao diretor financeiro indiano do parque que é um inside-joke alegórico dos investidores indianos que gastam quantidades de investimento em Hollywood. Mundo Jurássico contém todas as convenções de blockbusters, mas não as utiliza passiva e preguiçosamente, mas faz malabarismos imaginativos e engraçados. Como nenhum outro blockbuster, Mundo Jurássico leva-nos à cultura fenomenal das atrações e dos parques de entretenimento americanos — incluindo uma cena de esconder-se numa barraca de t-shirts pela qual nos estúdios da Universal Studios passará depois de cada atração obrigatoriamente, mas com entusiasmo. Mundo Jurássico tem uma longa e lindamente editada introdução que, com os tons do tema de Williams e o esboço da constelação familiar de alguns dos personagens principais, nos introduz perfeitamente no parque de Isla Nublar com um renascimento da nostalgia de 1993 e a sua mudança para um presente tecnologicamente mais avançado (a transformação duma atração intimamente escondida numa máquina megalómana, que atende 20 mil visitantes por dia). Mundo Jurássico desenvolve-se bem ao revelar os genes a partir dos quais o monstro principal é construído. Graças à sua inteligência, oferece reviravoltas inesperadas, aumentando a experiência da aventura. A mudança no enredo, que esperamos durante longo tempo e com ansiedade (raptor attack), torna-se apenas um prelúdio para um nível dramático mais elevado. Mundo Jurássico tem um grande final que, com a sua edição e colocação espacial de personagens vivos entre as bestas digitais, supera o final dos filmes de monstros e transformers de toda a década, e no último momento, perfeitamente programado, mostra o seu maior ás escondido duma forma que me fez querer gritar e bater palmas como um puto pequeno. Não avalie Mundo Jurássico comparando-o ao primeiro filme, cuja singularidade se articulava no primeiro grande espetáculo de sempre de criaturas de CGI vivas. Avalie-o como um blockbuster contemporâneo que, mantendo os seus fundamentos históricos, tem de competir ao lado de Nolan e Bay. IMAX, 3D!
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A perfect contemporary studio film, pitch-perfectly refined to fit almost everyone's taste. The stars have "just the right" luminosity, Spielberg behind their backs, special effects artists at work, and a scripted cocktail of everything a family wants to experience on a trip to the movies. The studios will fight over Trevorrow now because we rarely see such pure craft. The unfortunate thing is that it doesn't give anything for free. Therefore, especially in terms of tension, it's pretty instant, without anything really substantial, like "climbing over a high-tension fence" or "raptors in the kitchen," which still affects me after more than twenty years and can refer to someone who has something in their head besides craft. [Btw: Chris Pratt is likable, no question about it, but his position is more so iconic, pushed by an army of e-fans. When he really carries an entire film, let him have the whip and the hat.]
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I like how the entire Jurassic World is referring to the good old Jurassic Park. It’s not hiding the reference and it’s not attempting to be just another embarrassing remake. On the contrary, it expands the entire dinosaur world and that’s actually quite a good thing. And even though the main plotline is about an over-grown and mutated dinosaur, which actually isn’t too great a premise to build a movie on, it still watches pretty well. The authors did a great job in terms of casting. Chris Pratt and Bryce Dallas Howard are exactly the reason why I really enjoyed the movie. Chris Pratt plays his standard cool dude who looks like he just crawled out of the jungle and who can communicate with every mammal on the planet, and Bryce Dallas Howard is so beautiful here that I will keep dreaming about her fringe for several months to come.
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Hardworking and teachable Beta of Spielberg’s Alpha. From the very beginning, Jurassic World has profiled itself as a "new generation" blockbuster, which consciously draws from its inspirations and at the same time tries to name the basic rules, regularities and limits of its universe. So, we find ourselves in a world where the good old attractions were no longer "jagged and big" enough, so it was necessary to develop new ones that are artificially boosted, and thus reliably deadly. Jurassic World is in fact a struggle between enchanted film nostalgia and the triumph of megalomania in the form of a genetically infused prehistoric lizard. Surprisingly, the film is clearly for the lovers of the great first film, to which it completely subordinates its mythology, logic and the directing style to the talented Colin Trevorrow. However, Jurassic World will never achieve the brilliance and smoothness of the attractions of Jurassic Park; it will always be missing a bit of it. Nevertheless, it has enough entertaining parts to hold one’s attention. At the same time, it has one big advantage - the growing ironic charisma of sweaty adventurer Chris Pratt. Is a new Harrison Ford being born?
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In the past, the second and third movies tried not to follow a safe path of the first movie, but although it was a nice try they failed terribly (in terms of both acceptance and, unfortunately, quality). The third sequel, on the other hand, follows the path of the first movie and it turns out to be the right decision (it is great both in terms of acceptance and, fortunately, quality). However, it is not only a dull follow-up, but a playful and self-conscious continuation. Although it may not impress you in such a way (or any) that the first movie did but even without this bonus it is a high-quality movie in the form of a fun and excellently graduating summer Hollywood craft in the best sense of this word whose biggest mistake is the simple fact is that we have already seen it (multiple times). What they did really well are the "gojira-like" ending and Pratt, who is labeled as a new Ford/Indy and even though it is already the most annoying universally acknowledge cliché, but we simply cannot deny the fact that this person is a new Ford, that is for sure.
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Jurassic World made me about as happy as a child opening a Christmas present. Jurassic World is a brilliantly conceived blockbuster (beautiful attractions), I wish I could visit a similar park. The dinosaurs are palpably and vividly rendered and the intelligent Indominus Rex perhaps the biggest bad ass creature in film ever, its intelligence in particular was breathtaking to watch (camouflage, sensor obfuscation, GPS removal). Chris Pratt really is the new Harrison Ford, a proper hero and the role of Indiana Jones will suit him very well. I also praise the very solid pacing, the perfect finale that takes your breath away, the rather gnarly deaths for a PG-13 movie, and the great paced suspense with working empathy. Anyone who doesn't enjoy this film has no heart, can't have fun, and should give up movies for good. 100%
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If I were eight years old, this is a movie I would want to see every day, if possible multiple times. From the perspective of two brothers, it is perfectly placed in an adventurous mood, to the extent that it doesn't even need the breathtaking wow moments the original Jurassic Park is known for, even after the tenth screening. On the contrary, the world in this movie is conservatively sparse on action, and even when it is clear to everyone involved that everything is going to hell, the central T-Rex surprisingly appears sparingly. I can even imagine there might be viewers who are bothered when the screenplay can't decide whether to pay a beautiful tribute to the original or blatantly remake it. But fortunately, there are more positive aspects. Chris Pratt, who shamelessly steals every scene like a thief, Bryce Dallas Howard, who finally has a full-scale blockbuster on her resume, and the final message that plays on the feel of the Steven Spielberg original. But what raises my spirits the most is the fact that audiences still yearn for spectacles that occasionally shoot off nostalgic warmth.
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A very pleasant surprise and the best sequel to Jurassic Park so far. Trevorrow takes a sensitive approach and present Hammond’s original vision and the whole spiel about raising profits works just great. With the kids’ storyline (much less annoying than you might think) for a classic family feeling. And also taming the raptors that made it onto the poster. Chris "Starlord" Pratt returned to his role from Zero Dark Thirty and his marine/medic is a very good central figure for the whole story with the anticipated involvement of B. D. Howard, who shakes off her corporate shell maybe too quickly. They could have left out her running in high-heels. The dinosaur scenes are not as terrifying as before and its meant to be pure blockbuster entertainment for all age groups. The megafights between species to find a master of the dinosaurs is a pleasure to watch. Effects are mostly fine, but are sometimes spoiled by minor details that a bit more work could have put right. Even so, I enjoyed Jurassic World incredibly and it’s one of those movies that I look forward to watch again some time. Not just a few selected scenes, but all in all good, clean fun. P.S.: Williams’ theme presented by Giacchino still works well.
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An excellent tribute to the first film, from the opening panorama, through the helicopter arrival, to references to the eccentric millionaire. Fortunately, Jurassic World doesn't steal, but rather duplicates the functioning and adds design thanks to a twenty-year evolution in technology, making the dinosaur action even more intense and dense, with an excellently depicted and well thought-out park. The acting also works great, and although it may not be as confident and iconic as Spielberg's film, it is at least a decent beta that won't offend either the wallet or the brain of the viewer.
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Funny, suspenseful, touching, dignified, great. Jurassic World turned out the best that it could. The script moves along without the slightest problem, there is careful direction with a sense of alternating serious and light moments, a lot of nostalgia, but not so much that the film cowardly relies on it, new ideas, excellent sympathetic actors, in short, everything is as it should be. Moreover, the trailers didn't show everything, so there is no shortage of surprises (the best moments of the film for me). I'm glad Colin Trevorrow has done so well and outwitted all the doubters. And Michael Giacchino is also a hustler because, unlike Don Davis in Jurassic Park 3, he didn't try to imitate John Williams but used his themes as the cornerstones of his own music, which was the best possible approach.___P.S. But the Czech subtitles! I don't know in what conditions Petr Zenkl created them, but to turn triceratops into "triceratoptors" and to turn a female indominus rex into a male, although "him" is still referred to as "she" or "it", it really wasn't necessary.___P.P.S. Unfortunately, the same subtitles were used for the DVD release without any corrections.
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Clean work. A family oriented, dynamic blockbuster blending self-awareness and the enticing arrangement of a world in such a balanced way is not something we get every year. The wave of nostalgia from the beloved original movie brings a tsunami of new ideas and a story that holds itself together logically and motivationally; it has a perfectly balanced rhythm in the way it separates and brings together the characters (not including the three main dinosaur species), culminating in a climax where I felt several chills on my back caused by the tunes of John Williams’s soundtrack. Trevorrow handled it with grace, showing great confidence as a director and I’m still curious to see how the trilogy will be completed under his hand. Though Jurassic World does not surpass it, it did remind me very well why I love the original Jurassic Park so much, while also having a personality on its own, working with the main attractions in a systematic, viewer-friendly way – from the blindly admired attractions, often hidden by a crowd of curious spectators, to the uncontrollable forces of nature that humans simply are unable to put on a leash (which are viewed from a timid perspective). Also, Pratt as a more active Alan Grant is great. 90%
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As a die-hard fan of the original Jurassic Park and all sorts of quality dinosaur movies and documentaries, I was looking forward to Jurassic World about as much as today's little kids look forward to the new Minions movie. And the wait really paid off, as I was treated to the ultimate action spectacle, brimming with nice audiovisual effects, a likeable cast, and subtle references to the original trilogy. For me, as a viewer and a loyal fan in one, it was the regularly dosed bursts of nostalgia that satisfied me the most, plus a rich spectacle of new dinosaur species. (SPOILERS! ) During the final scenes, in which Bryce Dallas Howard is running in high-heels holding a lit flare and being chased by the most famous giant lizard, and during the ensuing battle of the titans, which I’m sure was meant to compensate for the fight in the third movie, I just sat with bated breath, my eyes literally glued to the screen. (END OF SPOILERS!) I can safely say that I left the cinema extremely satisfied, despite a few odd elements in the script, which I was able to put behind me in order to fully enjoy a Jurassic adventure with all the trimmings.
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Ironically, the film is at its most successful when commenting on itself, and by extension the whole concept of a summer blockbuster. I mean, who cares about a mere 15-meter lizard behind a fence when they saw another one just as big as a house in San Francisco last week. Jurassic World thus plays mainly on license and characters, with at least the latter failing, as it's represented by two hideous miscarriages, the disaffected non-actress Bryce Dallas Howard and a dude named Chris Pratt who is far better suited to roles where he's supposed to be pulling on a bong with Seth Rogen or something. Then his supposed future involvement in the Indy franchise leads to an eerie prediction that the new model for the hero will be an apathetic slacker who somehow happens to find himself in an Aztec pyramid somewhere, snacking over a golden egg instead of an unemployment office or a mamahotel. So why did I actually like it... Well, the usual scenes are there, helicopters crashing, buildings collapsing, and dinosaurs eating people. I'm a man of simple tastes.
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I wanted dinosaurs, I got dinosaurs. And I got some really great dinosaurs. Especially the water dinosaur is awesome. The raptors are utilized in a new, illogical way, but for the sake of the plot and the audience, it works great; it's emotional, it has good characters, and Bryce Dallas Howard, whom I still don't particularly like. But Chris Pratt is doing his thing, and he's a cool guy. Entertainment, nothing more, but that's what you go to the movies for.
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Product placement is even more glaring here than in the last four Bond movies combined, but I will probably forgive Jurassic World anything. This movie is a total definition of a contemporary summer blockbuster and, as such, it is beyond reproach. It will never become a cult classic like Jurassic Park, nevertheless, the franchise is held in such great esteem that the latest Terminator can only dream of.
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