Realização:
Antonio NegretCâmara:
Laurent BarèsMúsica:
Pascal LengagneElenco:
Scott Eastwood, Freddie Thorp, Ana de Armas, Gaia Weiss, Clemens Schick, Simon Abkarian, Kaaris, Moussa Maaskri, Abraham Belaga, Frédéric Anscombre (mais)Streaming (1)
Sinopses(1)
Brothers Andrew and Garrett Foster are exceptional pilots, but also exceptional thieves. Their specialty: steal the most expensive cars in the world. In Marseille, they manage to steal a sublime BUGATTI 1937, jewel of the exceptional collection of Jacomo Morier, godfather of the local Mafia. The latter then decides to use their talent to his advantage against his sworn enemy, Max Klemp. But if they agree to enter this game, it is because they have actually designed a shot of an unparalleled boldness. (Roadshow Entertainment)
(mais)Vídeos (6)
Críticas (3)
Os vilões OK, as serpentinas sinuosas da Côte D'Azur fantásticas, e o duo de raparigas já com os seus rostos ultrapassa todo o elenco de fatos de banho de Baywatch: Marés Vivas (vi os filmes um depois doutro, ámen). Mas o argumento, embora tente dar voltas e reviravoltas num emaranhado de múltiplos lados com ou contra, é barato, disfuncional de filme B. Especialmente em comparação com, digamos, Um Golpe em Itália, que tinha personalidades mais distintivas no elenco, por exemplo. Os jovens Eastwood e Freddie Thorp caem nos papéis dos sétimo e oitavo soldados caídos no segundo ato do sexto Transformers.
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I didn’t expect that the French could succeed with their clone of the American The Fast and the Furious, but it was watchable. I was surprised by two things. The first was Eastwood Jr., who handled the lead role quite well, without overacting; overall, his performance could be categorized as acceptable. I was also intrigued by the main theme, which wasn’t just about any ordinary car theft but involved stealing the most luxurious historical pieces from this industry. Even as someone who’s not a big car enthusiast, I was warmed by seeing such beautiful cars with dazzling histories on screen. The story didn’t offer anything innovative, but that was probably to be expected; the car chases were filmed briskly, and visually, there wasn’t much to criticize. I’m always happy when the French make a good film because they know how to do it. The ending was left open, but it’s unlikely the filmmakers will offer us a sequel. I’m satisfied with Overdrive, and I give it 67%.
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I watched Overdrive because I saw some nice cars in the trailer and I thought that if nothing else, this could be a decent B-list movie I would enjoy. No way, José. Scott Eastwood looks very pretty in this one and Freddie Thorp has no charisma at all. On top of that, the story is a stupid as a pothole in the road. I think that Antonio Negret is good at B-list action flicks, but the casting killed it. In the end, what saved the movie was a couple of good shots of old veteran cars.
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