Realização:
Clint EastwoodCâmara:
Tom SternElenco:
John Lloyd Young, Erich Bergen, Michael Lomenda, Vincent Piazza, Christopher Walken, Mike Doyle, Renée Marino, Erica Piccininni, Joseph Russo, Donnie Kehr (mais)Streaming (3)
Sinopses(1)
Do realizador Clint Eastwood surge a versão para o grande ecrã do musical vencedor de vários prémios Tony , "Jersey Boys". O filme conta-nos a história de quatro jovens rapazes fora-da-lei de Nova Jérsia, que se juntam e formam o icónico grupo musical dos anos 60, "The Four Seasons". A história das maiores provações e triunfos do grupo é acompanhada pelas canções que influenciaram uma geração: "Sherry", "Big Girls Don't Cry", "Walk Like a Man", "Dawn", "Rag Doll", "Bye Bye Baby", "Who Loves You", entre outras. (NOS Lusomundo Audiovisuais)
(mais)Vídeos (2)
Críticas (3)
Clint Eastwood skillfully directed this biographical film based on the musical of the same name. The film is enjoyable to watch, but on the other hand, there isn't a distinctly added value felt here. It's simply good, but within the realm of biographical films, it's just a standard that doesn't offend. The musical performances are good, and I finally know who composed and sang these songs.
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A film which puts together a lot of interesting things. Clint Eastwood probably filmed something really personal which influenced him a lot in the past, because otherwise I cannot explain the reason for this small-scale film about, for us, a small band. It was nice that he found some fresh faces for this movie. I also liked how well he showed the American late fifties and early sixties full of laughter, which brought us the famous American smile. All that glitters is not gold, however, and in this case the glitter conceals a pile of dirt that Clint dug into a bit. The references to old movies are nice and Christopher Walken with his visage fitted in nicely. However, this movie’s meanings are lost on us Czechs. At least I think so.
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Excellent biography of an excellent musical group that Clint Eastwood recorded as... A gangster film? Yes, that's right. Great acting performances, typically precise “uninvolved observer" directing with a few sensational ideas (driving by the windows of the record label), a plausible retro vibe with lightly highlighted colors, and then music, music and music. During the scene during the closing credits, I regretted that the whole film wasn't a musical, because the relaxing five minutes of dancing was more natural and impressive than all of La La Land.
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