Realização:
Alexandre AjaArgumento:
Keith BuninCâmara:
Frederick ElmesMúsica:
RobElenco:
Daniel Radcliffe, Juno Temple, James Remar, Kelli Garner, Max Minghella, Joe Anderson, Laine MacNeil, Heather Graham, David Morse, Kathleen Quinlan (mais)Sinopses(1)
Ig e Merrin conheceram-se ainda crianças, entre eles despertou uma paixão duradoura. Anos mais tarde, Ig decide pedir Merrin em casamento, no entanto ela decide acabar a relação entre ambos na mesma noite em que Ig tinha planeado fazer o pedido. Após uma discussão, Ig sai para ir afogar as suas mágoas no álcool. Na manhã seguinte, sem se lembrar de grande parte da noite anterior, Ig acorda e descobre que Merrin foi violada e assassinada. Na pacata vila onde vivem, todos acusam Ig de a ter matado. Contudo, Ig jura que não o fez e, com a ajuda dos Cornos que inexplicavelmente lhe nascem e lhe conferem um super-poder no mínimo bizarro, vai lutar para provar a sua inocência e descobrir o verdadeiro assassino de Merrin. (NOS Lusomundo Audiovisuais)
(mais)Vídeos (3)
Críticas (10)
Um fantástico filme excessivo criativo, combinando com facilidade posições de género difíceis de combinar, enquanto ainda goza dos seus clichés sagrados (o conselho dum padre, gay cops). Aja não é apenas um grande diretor de horror. Aja é também um amante de histórias dramáticas com uma dimensão romântica, e pode fazer malabarismos com os géneros de filme B duma forma fresca. E este é o seu sonho molhado refrescantemente original e difícil de imitar, que, aliás, também Stephen King apreciará com gosto.
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I never saw Horns during its premiere, and I was disappointed about that. The idea of exposing a person to brutal social pressure and mental suffering to such an extent that they are unable to bear it in a rational way and unwillingly transform into a supernatural being from another (dark) world was already masterfully portrayed by Bulgakov in "The Master and Margarita." In my opinion, such a concept has great potential, but the director and screenwriter managed to completely squander it through their hard work. In many comments, Daniel Radcliffe's involvement in the main role is discussed. Although his performance is not Oscar-worthy, it didn't bother me, and his presence eventually became one of the few positives that can be said about Horns. Horns could have been many things, ranging from dark fantasy to a horror comedy (let's remember how excellently The Witches of Eastwick turned out). Instead, Alexandre Aja created a didactic morality tale full of sentiment, permeated with religious symbolism, and using the most clichéd genre tropes. I could partially forgive him for that if he hadn't been so literal and pathetic, and if he had been more sophisticated and imaginative. This is a disappointment. Overall impression: 25%.
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Daniel Radcliffe wants to free himself from his fateful character so much that I feel like since the end of the Harry Potter saga, he deliberately only takes roles of characters that are crazy or not quite alright. Good for him. So far, it has paid off without an issue. Horns is a fantasy crime investigation movie that abstractly tells the story of a murder. I admit that without thehorns, it would be a classic crime investigation, but it’s all the more fun with them because I’ve never seen such an idea before. What’s more, it is filmed in such a clever way that there can be no talk of a B-grade movie. I have to say – it really made me happy.
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Very decent. Daniel Radcliffe's career is assured, here he only confirms his acting qualities. It's funny, entertaining, original and very clever. The ending is very spectacular, a perfect shot of a stick and a breathtaking scene with snakes, which is already a cult classic for me. It could have been shorter, but I still had a decent time. 75%
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Absolute psycho that often goes way over the top, but I enjoyed it more than part 1. The fact that it’s a sequel is capitalized upon and so everything is bigger, more explosive and the humor even crazier. Miller and Lord thrive on knick-knacks, antiracism and also... on male comradery. Awesome final credits.
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