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The Expendables are back and this time it's personal! After Tool (Mickey Rourke), the heart and soul of the Expendables, is brutally murdered on a mission, his comrades swear to avenge him. They're not the only ones who want blood. Tool’s beautiful young and wild daughter Fiona embarks on her own revenge mission, complicating matters when she is captured and ransomed by a ruthless dictator plotting to destroy a resistance movement. Now Barney and the Expendables must risk everything to save her and humanity. (texto oficial do distribuidor)

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Críticas (14)

POMO 

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português “My shoe is bigger than this car!» :-D Arnold é Ed Wood entre os atores de Hollywood. Dificilmente haverá um filme este ano que me tenha tornado mais excitado e alimentado com testosterona do que Os Mercenários 2. Uma loucura de filme B com efeitos digitais baratos, grandes linhas e referências de género. E que o JCVD dá o melhor desempenho e tem o melhor carácter já é um acontecimento histórico. ()

Marigold 

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inglês It's not less that a good old classic. A group of retirees travel to digitally modified Bulgaria, alternating game maps that reflect the nostalgic-archetypal touch of the genre, and here and there we have deus ex machina, greeted by a volley of insider jokes. The banality of the plot as well as the parody touch of space and characters add post-modern qualities to it, while Simon West also adds clear personal qualities and a solid tempo. Fortunately, Stallone already understood that some seriousness or "realistic" motivation had no place here - nostalgics wanted their messages and more winks. Blunt warrior macho sentiment still abounds, but this time it's filler between great comedic performances and cutting action with much better timing than in the first film. Although it is again "only" an action encyclopedia, this time it is richly illustrated and has even more bloated references to the mythology of the wheezy grandfathers. I had a great time. ()

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Malarkey 

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inglês After what felt like an eternity of waiting, I finally made it to the theater—and it was absolutely worth it. The Expendables 2 is one of those rare action movies that comes around once in a lifetime... well, now twice, but this time with an even more stacked cast. For any fan of old-school action films, seeing this lineup is pure magic. There are no words to capture the excitement. I haven’t been this hyped for a movie in ages, and it didn’t disappoint. Growing up, I spent Saturday nights glued to action films on TV, which gave me a lifelong love for Arnold Schwarzenegger, Jean-Claude Van Damme, Bruce Willis, and yes, even Chuck Norris! Later on, I became a fan of Stallone, Lundgren, Statham, and Jet Li. Watching all of them together in one film was nothing short of a dream come true. Each character oozes charm, the one-liners are non-stop, and seeing Chuck Norris and Arnold Schwarzenegger poke fun at themselves was a highlight. The action is top-notch, and the story? Simple, but perfectly fitting for this kind of film. What more could an action fan ask for? Honestly, if you grew up loving these legends, the plot is the last thing you care about. It’s all about the nostalgia, the personalities, and the sheer fun of it all. Some people might not get that (looking at you, critics who think every film needs a deep story), but for me, this was a huge experience. One of my childhood dreams came true, and that counts for a lot. Oh, and Jean-Claude Van Damme absolutely crushed it as the villain. His performance was awesome, and that final fight? Instant classic. ()

J*A*S*M 

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inglês A bad joke. I didn’t expect to like Expendables II very much, I’m not the target audience of the genre of soulless, old-fashioned action films after all, but that I wouldn’t like it even as a well made, undemanding pop-corn flick, was a surprise, especially after the very positive responses. The biggest problem is in the action. To begin with, there’s very little of it, and it’s not even good. Many people praise the fact that this time the camera is not epileptic and the editing is not like a video clip, but instead of that we have long clear shots, when the whole lot is actually not clear at all. West works clumsily with the space, it’s not clear who is escaping whence and whither, who is following whom and where they are shooting at… All the action (with the exception of the opening scene, where this doesn’t fully apply) is basically a tiring montage of someone running and shooting, without any dynamics that would pull the viewer into the plot. And the script, if we can call it that, it’s awful. I know that only an idiot could expect sophistication from a film like this, but this is already too much! The characters move without any concept somewhere in the huge expanses of the former Soviet Union, they amusingly run into each other, and when the heroes are in deep trouble, SOMEONE comes, saves everyone, and then leaves. And they frame it with crap like “Jeez, thanks for stopping by”. Like, what the fuck? There are only about six good jokes and one-liners, and half of them are directed at Lundgren. Expendables II is a product with a short shelf-life (this certainly won’t be a cult movie) that gets good reviews from the fanboys thanks to the same model that makes teenage girls wet with Twilight and Potter-fans love the last Potter films – they can watch their favourite stars doing something on the screen, regardless of what, how and why it’s done. But that’s not enough to make a good film, quite the opposite, actually. Two stars, and I don’t even know what for, maybe for the professional look and the nice dose of light-heartedness here and there. Otherwise, crap. ()

Isherwood 

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inglês Objectively, with a runtime of under two hours, you just can't give all the characters the space they undoubtedly deserve. Beyond that, it’s a pure action spectacle that works exactly as I wanted it to because it doesn’t underestimate fan intelligence - this is the only way to get the action going, which is secondary because the primary thing is to ride the wave of catchphrases that beat into the mummified icons of most of the people involved. ()

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