Realização:
Ruben FleischerCâmara:
Chung-hoon ChungMúsica:
David SardyElenco:
Jesse Eisenberg, Woody Harrelson, Emma Stone, Abigail Breslin, Zoey Deutch, Rosario Dawson, Avan Jogia, Luke Wilson, Thomas Middleditch, Bill Murray (mais)Streaming (3)
Sinopses(1)
Uma década depois do sucesso de Zombieland, e deste se ter tornado um filme de culto, o elenco principal volta a juntar-se ao realizador Ruben Fleischer e aos argumentistas originais Rhett Reese & Paul Wernick para lançar Zombieland: Tiro Duplo. Neste filme, através do caos hilariante que vai desde a Casa Branca à América profunda, estes quatro caçadores vão enfrentar os novos tipos de zombies que evoluíram desde o primeiro filme, bem como alguns novos sobreviventes humanos. Mas, acima de tudo, eles têm de enfrentar os problemas de crescimento da sua própria peculiar família improvisada. (Big Picture Films)
(mais)Críticas (10)
Estaríamos bem com este grupo (incluindo a loira cor-de-rosa!), mesmo que eles ficassem apenas a conversar na paragem do autocarro. Os escritores da segunda Bem-vindo a Zombieland também não se a esforçaram propriamente. O filme é um road-movie com três paragens onde tudo é feito apenas por diversão momentânea, não para fazer avançar um enredo bem-pensado ou, Deus nos livre, para enriquecer convenções de género. Até a imaginativa fundição pacifista das armas na Babilónia é morta pela solução tola dos escritores do problema final através do exército zombie. OK como sobremesa, no entanto.
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Em termos de conteúdo, é um filme totalmente mau, cujo esquema, fraca e descuidada história sobre a viagem dos personagens do ponto A ao ponto B serve apenas como um elo necessário para uma série de sketches de comédia e cenas de ação com zombie de qualidade oscilante. Compreensivelmente, copia o primeiro Zombieland, só que desta vez é tudo muito mais simples, mais direto, mais previsível, e simplesmente um pouco pior em todos os sentidos. Além disso, após dez anos os personagens principais degeneraram em irritantes caricaturas unidimensionais, de cuja insuportável natureza o filme tem plena consciência, mas em vez de fazer algo a respeito, utiliza-a como fonte de humor (e constrói à sua volta um panótico de personagens secundários deliberadamente insuportáveis e exageradamente estúpidos, sob a forma de estereótipos personalizados para fazer com que os personagens principais pareçam mais simpáticos a seu lado). A única coisa que o salva parcialmente é o nível de comédia bastante divertida e, por vezes, os atores que claramente gostaram de filmar e isto pode-se ver. Apenas a cada terceira ou quarta piada é bem sucedida, mas com a enorme cadência dos gags, não importa muito.
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The four heroes are back, still killing man-eating monsters and still trying not to kill each other. But now one of the girls has disappeared and the rest must find her and possibly save her. And as they make their way across zombie-infested America, they encounter not only the undead, but also other survivors, Elvis and hippies. The sequel to Zombieland could be considered a carbon copy of the first one, as it doesn't bring much new stuff, but it's still just as fun and if you enjoyed the disposal of the undead and the antics of the survivors last time, the second one won't disappoint.
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The talented Ruben Fleischer serves up the Comedy of the Year, the Ride of the Year and the Zombie Movie of the Year! I have to admit I didn't have much faith in the film after the trailers, but from the opening minutes it was set to be a heartwarming affair and it was! It's been 10 years since the first Zombieland and the world and characters have changed, especially the zombies, who have evolved and now split into different species, which I found terribly fresh and novel. Of the cast, Woody Harrelson obviously rocks the most, stealing most of the scenes for himself, but the nerdy Jesse Eisenberg and Emma Stone are also awesome. The only bland one is Abigail Breslin, who both looks awful and is more of a by-the-numbers character, so the new characters are a much welcome. The sexy Rosario Dawson and the adorable Zoey Deutch, who plays the naive silly Barbie to perfection and made the whole cinema laugh out loud during every scene with her. (“You know why she's still alive? Because zombies eat brains and she ain't got none.”) Apart from the perfect humour, the action is also a good, nicely shot, brutal, original and entertaining, including the climactic finale. The highlights definitely include the annual awards for Zombie kill of the year. One of those films where you say "I want to see that again!" when it's over. A big surprise this year and it will be fighting for the top spot. P.S. The post-credits cameo scene is perfect. 90%.
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Whereas some lenient reviews assert that the second Zombieland offers essentially the same thing as the first one, that is not entirely true. While watching the film, you repeatedly say to yourself that specific scenes and shots are a variation of something from the first film, whether that is slow-motion splatter shots or the characters pushing each other around. But that is merely just mechanical fan service and thus basically the exact opposite of the very essence of the first Zombieland, which became a sensation in its time because it came up with a fresh approach to zombie flicks and managed to transform them into clever entertainment by means of a detached view and genre reflection. The second film, on the other hand, is shocking in its failure to offer anything fresh or original. It is as if the returning filmmakers had suffered a severe case of dementia over the preceding decade and are thus merely repeating what they did last time. Furthermore, whereas the first film had a certain degree of causality and, above all, it managed to build a functional and coherent world, here everything falls to pieces. The result is an unwanted travesty in which the characters find themselves outside of their world, while the new reality lacks any cohesion (which is most apparent in the absolutely dysfunctional and interchangeable environment of the climax). Everything could almost be saved by claiming that this time the filmmakers came up with a brilliant meta concept which, following the example of typically insipid direct-to-video sequels, offers a deliberately cheaper and more shoddily made variation of the original hit, but nothing in the film indicates such a degree of detachmentand conceptuality.
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This movie plays it safe and other than the characters being older, don't expect much variation. In a way it's a sympathetic approach, but it would have been even more sympathetic to me if I hadn't found the last film to be an altogether entertaining but also contradictory spectacle that I just couldn't miss. The second Zombieland is better perhaps only in that the vast majority of the most rewarding humor this time rests on the shoulders of Woody Harrelson, who is simply brilliant, and newcomer Zoey Deutch, who wraps everyone around her finger with her endearing portrayal of a less than bright girl. It's the other characters' clashes with her way of "thinking" that entertained me the most (along with the final credits). Not the mashing of the undead with combines and the tired,obligatory finale, nor the hackneyed romance with its predictable conclusion, and certainly not the whole part with Luke Wilson, which was a few completely tone-deaf minutes and a bore to watch.
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The same thing as the first one, really. An entertaining premise and a couple of good formal ideas elaborated into the rumble of the four (five) likeable characters that doesn’t result in anything original. The great cast carry the film on their shoulders again, Flescher adds a few functional ideas, plus a couple of cameos to make things more interesting, and the viewer can kick-back and relax. And even though neither the characters nor the world go anywhere in the end, it’s impossible not to acknowledge that this innocent zombie silliness works surprisingly well – and like the previous, it deserves a strong 3*.
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(SPOILER ALERT!) Zombieland offers a very decent intro, you cannot help laughing when you see the film's logo, then slowly but surely it leads to the badass finale, which ends with an incredibly funny tribute to the "unnamed ghostbuster". The second film may have some weaker spots, with too much talking, lecturing, shouting or spitting, but all of that is amply made up for by the large number of action and climactic scenes. The award for funniest character goes to the endearingly goofy "blonde from the freezer", and I was also very amused by the "doppelganger" sequence. In the end, it's a weaker four stars, but I can't say I was bored in the cinema, and that's the most important thing in a comedy.
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A complete sandbox of random episodes and situations spliced together with running jokes and quirky characters. It's horribly shot (the camera for the most part never goes beyond the foreground), poorly edited, and with incredibly lazy and cheap CGI (even the dead bodies by the roads are digitally added), but the whole thing is pulled off by the foursome of Harrelson, Stone, Breslin and Deutch (!!!) who are just a joy to watch as they shamelessly cow in front of the camera. Thankfully, the film doesn't irritate with confused episodicity, as it never once attempts any coherence throughout. It's very likely that with a different cast it would have been intolerable. Interestingly, the "geek" character of Jesse Eisenberg is the one who has least survived the decade-long outage, who with his neurotic pop culture references, is fit only to be thrown over the walls to be torn apart and eaten by the plebes from among Big Bang Theory fans.
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To my own surprise, the sequel after six years was even more fun than the first installment. The plot seemed more coherent, I also liked the calmer part in the White House and I was pleased that the authors cast Zoey Deutch and Rosario Dawson. Oddly enough, I didn't even mind that it was a blatant rip-off of the 2013 film, some scenes almost a carbon copy of the original idea.
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