Realização:
José PadilhaArgumento:
Bráulio MantovaniCâmara:
Lula CarvalhoMúsica:
Pedro BromfmanElenco:
Wagner Moura, Irandhir Santos, André Ramiro, Milhem Cortaz, Maria Ribeiro, Seu Jorge, Sandro Rocha, Tainá Müller, Juliana Schalch, Luciano Vidigal (mais)Streaming (1)
Sinopses(1)
Nascimento (Wagner Moura), agora coronel, foi afastado do BOPE por conta de uma mal sucedida operação. Desta forma, ele vai parar na inteligência da Secretaria de Segurança Pública do Estado. Contudo, ele descobre que o sistema que tanto combate é mais podre do que imagina e que o buraco é bem mais embaixo. Seus problemas só aumentam, porque o filho Rafael (Pedro Van Held) tornou-se adolescente, Rosane (Maria Ribeiro) não é mais sua esposa e seu arqui inimigo Fraga (Irandhir Santos) ocupa posição de destaque no seio de sua família. (texto oficial do distribuidor)
(mais)Vídeos (1)
Críticas (5)
Muito pouca ação, demasiada política. Ainda um filme realista, bem-feito e bem interpretado, mas já não é o mesmo. Não é tão divertido, honesto, agressivo e cativante como foi o primeiro. E é uma pena, porque Tropa de Elite É grande e uma enorme surpresa. Mas esta sequela é mais uma desilusão.
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It’s sad that Padilho's radical critique of the system immediately mixes with fascism and other disliked isms. Elite Squad: The Enemy Within is exactly the kind of action movie that we don't see much of in mainstream production - it is fully saying that the system is fucked, it points this out in detail and goes so far that it doesn't end up sweeping it under the rug like a figment of a deranged hero (Law Abiding Citizen), but stands by what it believes in with the full weight of its powerful visual musculature. It's Greengrass-style and even more refined than the first film. The issues are the same: Padilha is a brilliant stylist, but a worse storyteller, so the cadence of dialogue and the influx of information are suffocating, and someone who doesn't speak Portuguese drowns in it. Otherwise, it's a complete film in all aspects that I like for how hard and implacable it is. Rather than fascism, the notion of anarchy sometimes creeped in. As with the first film, I don't have a single problem with this film, if only because what we see is sometimes not fully consistent with what Nacimiento, as the protagonist and narrator, grumbles about in the voiceover. I have no idea to what extent the film resonates with the reality of contemporary Brazil, but I have no illusions that it would only be a radical forgery. We know our Pappenheims.
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The scene with BOPE vs. corrupt politician is balm for the soul. This sequel to the Brazilian kick-ass Elite Squad goes a level higher. It’s less raw, the message is more Hollywood, but Padilha makes accusations with identical verve. The action scenes are prettier (better visuals) and still leave you gobsmacked even though there are less of them than it the first part. Excellent.
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I think I enjoyed this one even more than the first film. Yes, it features fewer action sequences, which might make it seem a bit slower to some, but I don’t mind the political backdrop. The film still delivers a perfectly escalating atmosphere that keeps the viewer in suspense for a long time. The story takes place a few years after the first film, and I really like the setting where it was shot. Perhaps this is why the film receives so much praise, as no other film can boast stylish urban action filmed in the chaotic favelas of Rio de Janeiro. When it comes to action, it’s once again top-notch, with the opening prison scene being a prime example. Wagner Moura is my number one when it comes to Brazilian actors; he delivers a virtually flawless performance (hello, Narcos). Sometimes the film felt like a battle against windmills, as fighting a system on your own that is corrupt from top to bottom is almost like committing suicide. I recommend that anyone planning to watch the film do so in its original Portuguese language for a much more authentic experience. For me, it’s the best that Brazilian cinema has offered so far. I give it 90%.
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With all due respect to Gomorra (the book) or The Wire, this best depicts the functioning and the structure of all-encompassing corruption which is not longer seen as corruption and is beginning to be the accepted social norm... With part one, many mistook a movie about a fascist police unit for a fascist movie. There is no chance of that with part two, which paradoxically has more in common with Padilha’s documentary Ônibus 174 than with part one. Even though maybe someone will mistake this movie about corruption for a corrupt movie.
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