Realização:
Yorgos LanthimosCâmara:
Thimios BakatakisElenco:
Christos Stergioglou, Michele Valley, Angeliki Papoulia, Mary Tsoni, Hristos Passalis, Alexander Voulgaris, Anna Kalaitzidou, Steve KrikrisStreaming (1)
Sinopses(1)
In an effort to protect their three children from the corrupting influence of the outside world, a Greek couple transforms their home into a gated compound of cultural deprivation and strict rules of behavior. But children cannot remain innocent forever. When the father brings home a young woman to satisfy his son’s sexual urges, the family’s engineered "reality" begins to crumble, with devastating consequences. (texto oficial do distribuidor)
(mais)Vídeos (1)
Críticas (4)
Um estudo psicológico do comportamento e perceção do mundo de três irmãos adolescentes que nunca foram permitidos pelos seus pais a sair dos espaços fechados da casa da familiar. Ignorância, uniformidade, sexualidade incestuosa, animalidade. E a intenção perversa dos pais de assim protegerem os seus filhos do «mundo mau». Uma intenção que tem inevitavelmente de escapar ao controlo. Yorgos é um animal psicológico com uma abordagem completamente única, quase científica da escrita e da direção de temas extremos dos quais claramente gosta imenso. Com a conclusão do seu experimento — com a última cena do filme — ele irrita propositadamente o espetador, levanta uma onda de controvérsia e recebe quase intencionalmente um dos prémios em Cannes. Genial.
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A very powerful film. It's a shame that the film didn't grab me until halfway through the second half, but I still had an uneasy feeling watching it. Although the film is not very audience-friendly, I can't say that I had a great time, it has a slower pace, perverse scenes, odd lines, unlikeable actors and their behaviour. But there were two scenes at the end made threw me off quite a bit: a very sick dance that almost made me take a pill, and then the dumbbell scene, which hurt even me. A strange, strange film, but it has something to it. 65%
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Perfect. The most mined model situation of a family isolated behind a high wall, from which Lanthimos distilled a sheer sick bizarre sequence of scenes that escalate with a family dance to the sound of a guitar, a scene so brilliant that my mind cannot fathom it. But even the rest of the film is teeming with invention and a completely out-of-the-way sense of humor, which is exactly my blood type. Not just anyone can film such a beautifully deranged and sexually bent film. The Greek is no doubt crazy. Beautiful and dangerous. The cunt is indeed a great light, the entirety of the film Dogtooth is proof of this.
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I’m yet to see a normal film from the Balkans :-D… Following recommendations, I didn’t find out anything about Dogtooth before watching it (thanks Rob Roy), and I could not believe what I was seeing. In a sense, this film almost surpasses the infamous A Serbian Film, It’s really very unsettling and very sick. The current genre label is a pretty good joke. “Mum, what’s a cunt” - “A cunt is a big light. For example: If the cunt is turned off, Earth will be without light.”
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