Realização:
Clint EastwoodArgumento:
Brian HelgelandCâmara:
Tom SternMúsica:
Lennie NiehausElenco:
Clint Eastwood, Jeff Daniels, Anjelica Huston, Wanda De Jesus, Tina Lifford, Paul Rodriguez, Dylan Walsh, Rick Hoffman, Glenn Morshower, Greg Stechman (mais)Streaming (1)
Sinopses(1)
FBI profiler Terry McCaleb almost always gets to the heart of a case. This time, that heart beats inside him. He's a cardiac patient who received a murder victim's heart. And the donor's sister asks him to make good on his second chance by finding the killer. That's just the first of many twists in a smart, gritty suspense thriller. (texto oficial do distribuidor)
(mais)Vídeos (1)
Críticas (4)
Um filme policial de oldschool um pouco previsível com um ponto de partida mediocremente satisfatório. Enquanto o filme é apoiado pela personalidade de Clint, teria beneficiado ainda mais de Jack Nicholson, liderado por Sean Penn.
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A very unnecessary crime film in which a seventy-year-old Clint Eastwood searches with bulldog determination for an easily predictable killer and even manages to acquire a partner many decades younger. The lack of plausibility is balanced by the unrelenting tempo, but given the genre everything is way too predictable and visually surprisingly sterile.
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The ideal three-star film, simply average, it doesn't suck or impress. The viewer spends a pleasant 110 minutes in the company of a guy with a heart transplant, Clint, who shows that he hasn't forgotten how to direct, although in this case he doesn't perform any miracles. True, the villain didn’t have to be so easily predictable, but in a one-view film, that's not a problem.
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As I've mentioned in many reviews, Michael Connelly is one of my favorite crime authors. However, movies and series based on his books often miss the mark, lacking the captivating storylines and logic that make his novels feel like a quality Swiss watch. I struggle to understand why screenwriters feel the need to "enhance" stories that are already so well-crafted. In this case, yes, the story was altered to fit a certain duration, but why the unnecessary additional changes? For example, I couldn’t wrap my head around why they completely changed the identity of the main villain. It just didn’t make any sense. And Terrell McCaleb? Based on Connelly's description, I imagined him differently. Clint Eastwood, whom I usually love, didn't quite fit the role. The story in this form didn’t work out well in terms of acting or directing, and I can only console myself with the thought that it could have been worse. / Lesson learned: Call an ambulance before you need to. You never know...
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