Realização:
Rian JohnsonArgumento:
Rian JohnsonCâmara:
Steve YedlinMúsica:
Nathan JohnsonElenco:
Adrien Brody, Rachel Weisz, Mark Ruffalo, Rinko Kikuchi, Maximilian Schell, Robbie Coltrane, Ricky Jay, Andy Nyman, Zachary Gordon, Max Records (mais)Sinopses(1)
All their lives, brothers Stephen (Mark Ruffalo) and Bloom (Adrien Brody) have perfected the fine art of the con. Now they're ready for one last spectacular score-luring Penelope (Rachel Weisz), an eccentric heiress, into an elaborate scheme that takes them around the world. (Summit Entertainment)
Críticas (4)
O elenco de Adrien Brody e Mark Ruffalo como irmãos é um erro de casting. Para não mencionar que nenhum deles é ideal para o género de comédia. Rachel Weisz salva-o bastante e dá um toque fresco ao filme. O filme é colocado no cenário do carismático filme de assalto A Armadilha, e está vestido com a imagem da loucura do «chapéu» de Os Vingadores. Não está um passo inteligente à frente do espetador como ele quer, mas também não ofende porque não se leva totalmente a sério. Mais um divertimento exagerado no qual eu certamente não investiria como produtor.
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I understand that Rachel and Adrien wanted to see the sights of Prague, but did they really have to sign up for a movie where even brain-dead viewers are always ten steps ahead of the characters? The result isn’t improved by the vain attempt at copying the poetry of Wes Anderson. It falls very short in terms of poetry and atmosphere (these show through in just a couple of scenes and is these that suggest that if the whole movie had been that good, it would have made up for the unfortunate screenplay) and it is just weird and stupid. Really weird and very stupid. Not to mention the killing length of it, considering nothing happens for the whole last half hour.
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I didn't enjoy this one very much. Adrien Brody is an actor nobody cares much about anymore, and Mark Ruffalo is only making money thanks to the Hulk in the MCU. So I don't find this duo very funny, and it's more of a crime story about two con-artist brothers. Nothing much interesting happens in the film, it's not smart or even very entertaining let alone funny. The only thing worth mentioning was the strange reclusive Rachel Weisz, who was great. 45%
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I enjoy well-crafted absurd dramas, and this initially developed into one of those theatrical dramas, albeit in a grander, cinematic presentation. Unfortunately, in the second half, the film loses its momentum because it tries too hard with the story and emotions. Yet up until then, it was very well set up. Suddenly, even the absurdity disappeared, which was a shame.
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