Realização:
Edgar WrightCâmara:
Bill PopeMúsica:
Nigel GodrichElenco:
Michael Cera, Mary Elizabeth Winstead, Kieran Culkin, Chris Evans, Ellen Wong, Anna Kendrick, Brandon Routh, Alison Pill, Jason Schwartzman, Johnny Simmons (mais)Streaming (3)
Sinopses(1)
Scott Pilgrim (Michael Cera) has never had a problem getting a girlfriend. It's getting rid of them that proves difficult. From the girl who kicked his heart's ass - and now is back in town - to the teenage distraction he's trying to shake when Ramona (Mary Elizabeth Winstead) rollerblades into his world, love hasn't been easy. He soon discovers, however, his new crush has the most unusual baggage of all: a nefarious league of exes controls her love life and will do whatever it takes to eliminate him as a suitor. As Scott gets closer to Ramona, he must face an increasingly vicious rogues' gallery from her past - from infamous skateboarders to vegan rock stars and fearsome identical twins. And if he hopes to win his true love, he must vanquish them all before it really is game over. (Universal Pictures US)
(mais)Vídeos (4)
Críticas (13)
Um geiser de ideias, de loucura simpática e de cenas de «luta» mais perspicazes do que os filmes de ação mais polidos oferecem. Se ao menos os adolescentes de hoje adorassem isto em vez de superficialidades do tipo Crepúsculo, tudo seria melhor.
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An incredibly original visual action ride, packed from beginning to end with directorial tweaks, graphics, and situational and verbal humour; every sentence is a joke. Scott Pilgrim is thoroughbred fun that demands a lot of attention from the viewer if they want to get all the jokes. If you ignore the superficial shiny tinsel, what’s left is a straight line that recycles old clichés with unprecedented vigour, relies on the repetition of one motive and takes place in an internally inconsistent and utterly insane world, but nobody cares. That would be very bad, but the protagonist is an ordinary geek who’s probably never come up with anything original (pick-up line), he only cares about one thing (video games) and his world and life cannot be considered deep or complex. The only question left is whether this film can be considered as a portrayal of the world through the eyes of Scott Pilgrim, or whether I’m just looking for things that aren’t there. Either way, it was a lot of fun. 9/10
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If someone has watched, read, listened, and recorded plenty of things, and they can also film in such a way that it is perfectly entertaining, then we’ve got nothing to worry about. During the screening, I wanted to chant and cheer loudly, and after it was over, I wanted to go back to the box office and do it all over again. This sort of "style geyser" cannot be absorbed the first time around. This is the second film this year where inventive British filmmaking has made an incredible splash for Hollywood money.
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So many corpses and not a drop of blood... I hate Michael Cera, his dumb mug and moronic one-liners bother me, so I had a major problem with Scott Pilgrim. On the other hand, there's Edgar Wright, a playful visual magician who turned this unbelievable nonsense into a special effects orgy full of memories of youthful gaming days. And the action scenes are top notch.
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After 5 minutes, I knew that this film would not be my cup of tea, and after 10 minutes, I realized that I was genuinely suffering. Nevertheless, as a typical weakling, I endured for another half hour, only to finally understand that every additional minute was an unequivocal waste of time and that there are plenty of more interesting activities in the world, starting with sex and ending with delicious food, to which I could give preference. Actually, anything deserves preference in this case. I could elaborate on the comic book aesthetics but it is influenced by a series of films that really appealed to me. I could go on about how this is a film aimed at the young generation, but so was Misfits, and I had a great time with that series. The best adjective to describe Scott Pilgrim is adolescent. Adolescently directed and tailored for teenagers. Furthermore, it is based on a stereotype and subsequently becomes boring. It had nothing to offer me, but undeniable professionalism compels me to give it one star. Overall impression: 25%.
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