Realização:
Nicolas Winding RefnArgumento:
Nicolas Winding RefnCâmara:
Morten SøborgMúsica:
Peter PeterElenco:
Zlatko Burić, Slavko Labovic, Ramadan Huseini, Marinela Dekic, Kurt Nielsen, Levino Jensen, Ilyas Agac, Marek MagiereckiStreaming (1)
Sinopses(1)
This third installment of the "Pusher" trilogy follows Milo, the agining drug lord from the two first films. He is planning his daughter's 25th birthday, and his shipment of heroin turns out to be 10.000 pills of ecstasy. When Milo tries to sell the pills anyway, all hell breaks loose, and his only chance is to ask for help from his ex-henchman and old friend Radovan. (texto oficial do distribuidor)
(mais)Vídeos (2)
Críticas (6)
A última parte da trilogia não se apressa em lado nenhum e mantém as emoções surpreendentemente à distância. E o último golpe maior no final provoca o último cravo na «delícia» da audiência de desvendar o submundo dinamarquês. Não teria sido o mesmo sem o conhecimento dos episódios anteriores, nos quais o personagem secundário Mila intrigou, mas não alimentou a curiosidade. Com o conhecimento deles, por outro lado, este é um clímax mais escuro e mais intenso do que o espetador espera. Refn entra aqui em dimensões existenciais, elevando o filme de género de gangster a um retrato negro das sombras ocultas da sociedade contemporânea. Acompanhando a escalada gradual do colapso psicológico do personagem principal com movimentos sónicos e tons musicais sombrios é exatamente o tipo de invenção de direção que mais aprecio nos diretores de cinema auteur. Quero fechar Hannibal Lecter esfomeado e Milo drogado na mesma sala!
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The third and hopefully final trip by Nicolas Winding Refn into the environment of the Copenhagen gallery. Unfortunately, compared to the previous installment, I perceive herein a significant decline in quality, which is by no means only related to the fact that Zlatko Buric is simply not Mads Mikkelsen. The screenplay is clearly weaker and where it lacks the credibility of the characters and the logic of their behavior, Refn replaces it with vulgarity and explicit portrayal of violence. The scenes of body disposal were far beyond what I would consider appropriate for a similar spectacle. Overall impression: 35%. One of the few successful scenes for me is the one where the seemingly warm relationship between father and daughter quickly turns into harsh bargaining among business partners in the drug trade.
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The third part of the Pusher trilogy is definitely the roughest of all the three parts. The roughest and the most brutal that is. Mainly in the sense that it tells the story of the gangster Milo, who has two different faces, but who doesn’t allow you to see the brutal terror that he is able to create on either of them. The last thirty minutes are from the world of filmmaking genius, when I was silently staring at the screen and slowly and very unsurely realizing how crazy this world can be… Once the final credits started rolling and a very interesting and depressing tune started playing, I realized what a crazy look I had been giving my TV. Quite an unbelievable and very rough film experience.
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The pinnacle. In the sense that all the partial motifs of the previous two films are combined into an incredibly strong and film-uncompromising whole, which shifts to the viewer's eyes with butcher's obviousness the filth hitherto suspected. Burič had been a generator of charisma in the previous Pushers, but here he literally enjoyed the counterpoint of the closed Northerners. His Milo has the Serbian theatrics, the hot-bloodedness and immediacy, and the hallmark of an untouchable godfather – all the more painful is his fall into a pit of solitude. The ultimate punishment in the Pusher series is not bullets or daggers, but helpless loneliness and isolation. In this regard the third film comes the farthest, has the most distinctive inner "arc" in the construction of the main character, and the ending is masterfully motionless and at the same time screaming the title feeling of the whole trilogy. A modern Godfather-junkie muddied by the Copenhagen periphery. Refn's trilogy is nothing less.
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Nicolas Winding Refn's star-studded cult trilogy about dealers is second to none. Refn has done an interesting job in all three episodes, each dealing with one of the main characters. The first one is probably the most authentic, with Kim Bodnia going from one screw-up to the next. I found the second part with Mads Mikkelsen the least interesting but still decent, and in the finale the main dealer Zlatko Buric falls into the clutches of the Albanians. Slavko Labovic and his brutal corpse cleaning are already iconic. It's very raw, Danishly grim, dirty and realistic to the point of chilling. Good stuff. 85%.
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