Realização:
Gavin O'ConnorCâmara:
Declan QuinnMúsica:
Mark IshamElenco:
Colin Farrell, Edward Norton, Jon Voight, Noah Emmerich, Jennifer Ehle, John Ortiz, Frank Grillo, Shea Whigham, Lake Bell, Carmen Ejogo, Ramon Rodriguez (mais)Sinopses(1)
A gritty and emotional portrait of the New York City Police Department, the film follows a multi-generational police family whose moral code is tested when one of two sons on the force investigates an incendiary case involving his older brother and brother-in-law. The case forces the family to choose between their loyalties to one another and their loyalties to the department. (texto oficial do distribuidor)
(mais)Críticas (5)
Um drama policial surpreendentemente não interessante sobre polícias limpos e corruptos. Especialmente considerando o potencial de atuação. Colin Farrell e Noah Emmerich são excelentes, Edward Norton menos marcante, mas principalmente são simplesmente inúteis aqui. O diretor parece não ter energia e nenhuma visão clara, não sabe onde forçar e onde recuar. É como se ele realizasse o filme sem foco, desinteressado, apenas por obrigação. Muito semelhante em conteúdo, mas um trabalho muito melhor, é o recente Nós Controlamos a Noite.
()
An excellent crime movie about police corruption. Apart from the acting performances (nice to see Jon Voight as a goodie for a change), Pride and Glory isn’t anything particularly special, but it’s good to look at and after the final credits you have the pleasant feeling that the world is screwed or else will be very soon.
()
A detective flick that lacks the atmosphere of Harsh Times and the action of Street Kings. It’s not a dud (thanks to the actors), but if there’s any ambitious film with an A-list cast that has left me completely but utterly cold in the genre, other Mann's Miami Vice, it's the clichéd Pride and Glory. 60%
()
A-list actors in a B-grade drama that tries to appeal to the action-crime genre, which, in my opinion, it avoids, and the end result is too boring, slow and impersonal in terms of characters, keeping the viewer at a distance.
()
An incredibly boring crime thriller that builds interesting family relationships but does so in an extremely tedious and lengthy manner. There's only one scene - well, maybe there are two if I'm being nice - that's really worthwhile. For a film featuring aces like Norton, Farrell, and Voight, it's really incredibly little, just as it is for a runtime of over two hours.
()
Publicidade