Realização:
Nick CassavetesArgumento:
Nick CassavetesCâmara:
Robert FraisseMúsica:
Aaron ZigmanElenco:
Emile Hirsch, Justin Timberlake, Anton Yelchin, Shawn Hatosy, Ben Foster, Chris Marquette, Dominique Swain, Janet Jones, Lukas Haas, Bruce Willis (mais)Sinopses(1)
They grew up together in the suburbs of LA, living their own version of the American dream, with every day a blur of partying and looking for the next thrill. Johnny (Emile Hirsch) is the leader in their sordid world of drugs, greed, power and privilege. But when he is double-crossed by another dealer, things quickly begin to spiral out of control, and an impulsive kidnapping leads to a shocking conclusion. (Universal Pictures US)
(mais)Críticas (4)
Quite an interesting film addition. Although Cassavetes indulges in a brutally large number of “fucks” and blatantly tries to serve us the rawest story of youth, some aspects are beautifully captured. For example, the verbal shootouts and the unbelievably raw personal conflicts and fights in general. Surprisingly, the actors are also fantastic. Justin Timberlake and especially Ben Foster, whose character is played brilliantly. Don't expect a plot-driven ride, but the rawness and attractive pace will definitely not make you press the stop button.
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Uma reconstituição de uma tragédia adolescente, tal como Elephant de Van Sant, apenas filmada tradicionalmente e contando com emoções e sentimentos (simplesmente Cassavetes). Os atores são o mais importante - e Emile Hirsch e Ben Foster são excelentes, e Justin Timberlake e Anton Yelchin sequestrado não estragam nada. O que estraga um pouco o filme são as entrevistas finais com os que pretendem ser verdadeiros pais, isso diminui a sua autenticidade e credibilidade (Sharon Stone mascarada, gorda e a exagerar é horrível!).
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Adequately uncompromising and rough, and at times, unfortunately, a bit exaggerated. All the flaws in pacing and the unnecessary flood of "fucks" are compensated for by an excellent ensemble cast led by the demigod Emile Hirsch and the madman Ben Foster. However, even here I cannot restrain some criticism. Famous names are not always beneficial: Alpha Dog is hurt the most by the slightly clumsy Justin Timberlake and especially the unconvincing Sharon Stone, whose hysteria at the end made me feel painfully embarrassed for her. My good fortune lies in the fact that I don’t mind knowing how it will end right from the beginning and that I can enjoy the atmosphere of hot cats and ruthless tough guys. At least when it comes to these elements, this piece is packed to bursting with them.
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Films based on real events have one major disadvantage. People generally look at them a bit differently. If the story itself is emotional, filmmakers usually take advantage of this fact and try to emotionally impress the viewer. This is how the film "Síla srdce" affected me. On the other hand, it may happen that filmmakers are so sure of what they are shooting that they add very little to it because they think the film will speak for itself. Not much extra is added to the film, even though not much actually happened. This is exactly the problem with the film "Alpha Dog". More: http://www.filmovy-denik.cz/2013/02/alpha-dog-2006-55.html
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