Realização:
Wim WendersArgumento:
Sam ShepardCâmara:
Robby MüllerMúsica:
Ry CooderElenco:
Harry Dean Stanton, Nastassja Kinski, Dean Stockwell, Aurore Clément, Bernhard Wicki, Sam Shepard, John Lurie, Tom F. Farrell, Viva, Hunter CarsonStreaming (1)
Sinopses(1)
Travis Henderson, desaparecido durante quatro anos, reaparece no deserto dos EUA, exausto e amnésico. Aos poucos, vai-se recordando da sua vida, sendo acolhido pelo seu irmão Walt, responsável por Hunter, filho de Travis. Como totais estranhos, Travis e Hunter começam a construir uma amizade e a conspirar para encontrar Jane, ex-mulher de Travis, e trazê-la de volta para formar uma verdadeira família. (Leopardo Filmes)
(mais)Críticas (5)
This road movie is considered to be Wim Wenders' best film and I basically agree with that. It is a very slow film that relies on atmosphere, camera work that utilizes amazing American exteriors, and the ability to perfectly capture subtly conveyed emotions of the film's characters. Above all, it relies on perfectly chosen music, which complements the story. The actors we cast well and have precise acting performances. Harry Dean Stanton is beautifully worn out, Nastassja Kinski is fragile and innocent even during her performance in a peep show, and the child actor performs flawlessly. Overall impression: 90%. It is a film about the breakdown of a marriage and an attempt to return, if not to the role of a partner, then at least to the role of a parent.
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Porque é que Paris, Texas, é um filme tão lento como as infinitas planícies do Texas, decoradas com verde e céu azul, que funciona como uma carícia para a alma durante o opressivo inverno de Praga? Porque temos de merecer uma conclusão tão maravilhosa que tira o fôlego e não deixa os olhos secos. E ainda por cima, a jovem Nastassja Kinski, é totalmente igual ao meu primeiro amor.
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A remarkable cinematic experience that pushes itself into our subconscious through its slow pace and the very restrained performances of the leading quartet in a very tedious but at the same time masterful way. Although I was mostly searching in vain for themes in this peculiar journey of self-discovery that would knock me down with their power and presentation, the novel formal aspect led by the perfect cinematography, the beautiful setting and the corresponding banjo music, and my great weakness for such creative escapades kept the star rating in the upper floors this time. I'm quite sorry, though, that the expected highly moving conclusion left me suspiciously cold, but at least it fit naturally into the overall easygoing context. 75%
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A hirsute man in a red cap emerges from the arid desert. Who is he? Where did he come from? And where is he going? Wim Wenders gradually unravels the layers of a mysterious puzzle in a gripping family drama about the search for oneself that, even at almost 2.5 hours, entertains and surprises. Colourful symbolism, immersive music, absolutely breathtaking cinematography, first-class performances led by the absolutely spot-on Harry Dean Stanton, and Nastassja Kinski. There's a lot to admire about this film. The big screen here equals big added value. [KVIFF 2024]
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The film is very well made and, of course, very well written, but due to its slow pace, I just couldn't get into it. Harry Dean Stanton is absolutely brilliant here, and his dialogue with Nastassja Kinski is a highlight of the film, but it simply didn't evoke the necessary emotions in me, at least not to the extent it should have.
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