Realização:
Paul W.S. AndersonArgumento:
Paul W.S. AndersonCâmara:
David JohnsonMúsica:
Harald KloserElenco:
Lance Henriksen, Sanaa Lathan, Raoul Bova, Tommy Flanagan, Ewen Bremner, Colin Salmon, Pavel Bezděk, Petr Jákl, Eoin McCarthy, Jan Pavel Filipenský (mais)Streaming (3)
Sinopses(1)
Set in the near future, a team of archaeologists lead by Charles Wiedland (Lance Henriksen) ventures towards an inexplicable "hot zone" detected in Antarctica. Joined by Alexa Woods (Sanaa Lathan) and the requisite amount of human fodder for the otherworldly creatures to feast on, Wiedland and his cohorts discover a sizeable underground pyramid. Chaos ensues as they awake the Queen alien from her blissful slumber, causing face-hugging and chest-bursting scenes aplenty. But the ailing crew has a further quandary to grapple with in the shape of some fearsome Predators, who are using the aliens as bait for their offspring to brawl with in an ancient initiation ritual. With the human team trapped in the labyrinth-like pyramid, the battle evolves into a nail-biting three-way tussle between the archaeologists and their extraterrestrial adversaries. (texto oficial do distribuidor)
(mais)Vídeos (4)
Críticas (9)
Um assunto surpreendentemente bem filmado, com bons efeitos, edição dinâmica e ação rápida. Só o primeiro combate entre Predador e Alien foi pouco claro, mas mesmo assim fiquei entusiasmado como um adolescente. O que faz o filme cair para o medíocre, no entanto, é o argumento INCRIVELMENTE idiota. O facto de Paul W.S. Anderson só rouba não importaria tanto, mas que ele ainda cola o roubado com uma cola descuidada é algo difícil de perceber. Com um argumento melhor e mais tempo de duração, este filme poderia ter sido muito divertido. P.S.: Fiquei um pouco incomodado com a «humilhação» geral da raça de Alien. Pessoalmente, tenho mais respeito por ela do que pelos Predadores pesados.
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For a horror movie it lacks even the slightest hint of atmosphere and, for an adaptation of an action game (or a comic book), it’s lacks action. Perhaps only the makeup deserves praise. A boring and uninteresting B-movie that you can see hundreds of on the shelves of video rental stores. Anderson was able to dishonor two legends in one film, so hopefully some skillful predator will find him and exact personal satisfaction for defamation.
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Ugly and uglier, as one of my friends aptly proclaimed. And in the midst of the ugly, a group of more or less handsome humanoids are desperately trying to survive... Paul W. S. Anderson filmed a very grateful theme, but instead of an atmospheric mix of claustrophobic tension and dynamic action, as offered by the computer game of the same name, an initially thrilling, then extraordinarily predictable murder story with an emancipated heroine and a ridiculous story emerged from it all. Unfortunately, the heroine isn’t anywhere near as good as Ripley, and her survival journey is full of pretty nice action sequences, but she lacks suspense and the ability to grab the viewer’s attention. It’s too bad, because the introduction to the film is quite promising, but then, unfortunately, the tension disappears in the regiments of quite-visible monsters. Anderson just shot a B-movie with average A-movie effects. A pleasantly-killed hour and a half, but the film’s credit does not increase in any way with the ugly (Predators) and the uglier (Aliens), quite the opposite. AvP is just a parasite... 50%
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To embrace Anderson's latest film is, figuratively speaking, not to put your hand in the popcorn, but to go straight into it with your whole body. Even then, AvP is hard to accept. That said, technically there is not much to complain about, the effects are fine, the animatronic models of the aliens are really good, and the film has a brisk pace. But a rather fundamental problem is the absence of two important ingredients in a movie, there’s hardly any atmosphere and suspense. And the script? Everything follows tried and tested templates, without any surprises, and a plot that is transparent and predictable. Anderson's basic idea of the story makes sense, but it's rather dumbed down. Besides, what must McTiernan have thought when he saw that his formerly uncompromising hunter had become a damsel in distress? Please don't do that. The 2 stars are too much, taking into account the fact that I don't like crossovers, and their cold financial cynicism. Now I'm just waiting for someone to come up with a Red Riding Hood vs. Batman movie. That would be awesome!
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Alien is downgraded to a drooling game of hopscotch, leaving the remnants of its sophistication in the original tetralogy – and for that alone, Paul W.S. Anderson has failed me again this time. While it's more boredom than a major annoyance that the unappealing main characters have to spend time acquainting themselves with the chilling environment and themselves. But when the alien newborn hatches a few minutes after meeting the facehugger, the queen agilely scampers around, and the predator senselessly respects the insignificant human, I wearily bury my head in my hands and give up. Shameful.
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Galeria (105)
Photo © 2004 20th Century Fox Film Corporation
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