Assassino Profissional

A clever, well thought out script with a message about the fear of changes in life. Great pacing, top-notch acting – the dialogue! – Glen Powell disappears into the role. The story builds beautifully and there is no action at all. A lovely romantic film, with which Richard Linklater fulfills the dream of a lot of overweight, bespectacled students of getting their chance to bed that Adria Arjona. And it will only cost them the loss of their own personality. (08/06/2024)

Richard Linklater is quite an unexplored director for me, his work has always passed me by, so I didn't have high expectations and I wasn't too impressed either. The action was non-existent, the humour minimal to nonexistent and the whole thing hinged on the likable duo of Glen Powell and the beautiful Adria Arjona, but I didn't find the plot engaging, imaginative or very interesting either. Too simple for me without any interesting plot twists. Just average. I'll forget it tomorrow. 5/10. (10/06/2024)

The genre classification here raises expectations of a slightly different experience, but the resulting film is neither much action nor much comedy, so beware. That said, I was pleasantly surprised. An original idea, a nicely thought out script, hugely charismatic characters (Glen Powell has been on a really nice run). A very accessible film for the audience, and yet you can feel Richard Linklater's indie roots in every frame. PS: Coincidentally, I saw Hit Man on the same day as the Czech film Mr. and Mrs. Stodola, so it was an unplanned, dramaturgically very interesting double bill :D (08/06/2024)

I settled down, expecting an action-comedy, but twenty minutes in, I paused and checked the movie description to make sure I wasn’t dyslexic — it really did list Action/Comedy. It threw me off because it wasn’t exactly action-packed, nor was it a typical comedy. To me, it felt more like a lighthearted drama, which isn’t a bad thing at all. In fact, I enjoyed the film’s style more than I anticipated. The story itself wasn’t groundbreaking, but it highlighted how crucial well-written dialogue is for a good script. The film didn’t pretend to be more than it was — an enjoyable, easy-going watch that didn’t overtax my brain, yet still felt intelligently crafted. Plus, Adria Arjona was great to watch, and I have to give props to Glen Powell. He nailed the role of a man who adeptly plays various roles himself. His performance was stellar; each character he portrayed looked and felt distinct, and it wasn’t just thanks to the makeup team. I ended up enjoying it a lot more than I expected. / Lesson learned: I'm not entirely sure if good triumphed over evil, but life isn’t a fairy tale, and sometimes it throws us moral dilemmas. (13/06/2024)

I was drawn to this film because of director Richard Linklater. The premise seemed promising, too. I guess the problem lies with the actors — they seem completely disengaged, making it hard to care about what happens in the movie. For a comedy, this is especially challenging because it’s supposed to be entertaining, and it just isn’t. In the end, the concept is good, but everything else falls flat. (20/06/2024)