Realização:
Luca GuadagninoArgumento:
David KajganichCâmara:
Arseni KhachaturanElenco:
Taylor Russell, Timothée Chalamet, Mark Rylance, André Holland, Chloë Sevigny, Michael Stuhlbarg, David Gordon Green, Jessica Harper, Francesca Scorsese (mais)Streaming (2)
Sinopses(1)
Maren, uma jovem mulher que aprende a sobreviver à margem da sociedade, encontra o seu primeiro amor, Lee, um intenso marginal à deriva. Os dois juntam-se numa longa odisseia que os leva por estradas secundárias, caminhos secretos e alçapões da América de Ronald Reagan. Apesar dos seus melhores esforços, todos os caminhos os levam de volta a passados sombrios e à grande questão final que irá determinar se o amor sobrevive à sua diferença. Baseada no romance homónimo de Camille DeAngelis, Ossos E Tudo é uma história emocionante sobre a descoberta de identidade e a solidão de se ter um segredo obscuro. (Cinemundo)
(mais)Vídeos (3)
Críticas (4)
Luca Guadagnino preenche um buraco na cinematografia. Uma análise íntima da vida de outsiders de pessoas que dependem do consumo da carne humana. A existência de indivíduos desesperados à margem da sociedade, como uma paráfrase do tema da fantasia dos vampiros. A necessidade de esconder a própria personalidade, a busca da história da família para se compreender a si próprio e compreender o seu lugar no mundo. Mas também um frágil romance sobre a importância de encontrar uma alma gémea. O filme contém cenas mais assustadoras e sangrentas do que seria de esperar da esperada distribuição global com realização artística e Timothée Chalamet. O espetador de mainstream vai achá-lo repulsivo até ao ponto de ser impossível de ver, apesar de o enredo ser um road-movie clássico de relação com um clímax de género cliché. Dou uma fraca quarta estrela pela sua coragem de contar a história dos maiores tabus da sociedade de uma forma artística e pelo brilhante casting de Mark Rylance. Emocionalmente, porém, o filme deixou-me completamente indiferente, incapaz de simpatizar de forma alguma com os personagens.
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The first Guadagnino film that I really liked. A slow, thoughtful and heartfelt road-movie with cannibal characters that can be mistaken for vampires or even regular humans, it simply works as it should. Just dive in and spend a pleasant two hours. The allusions to Kiss and the music of Trent Reznor and Atticus Ross are awesome!
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Luca Guadagnino has made a cannibalistic road trip romance through the American backwoods and it has its charms. It's clear that the director is a drama buff, but he probably also enjoys horror and likes to combine the two genres, though drama always takes precedence. His Suspiria, however, had its charm (I remember the dance scene vividly!) and I'm very curious how he'll handle the Scarface remake, because I have no idea how he'll handle the action scenes. We have two likeable young actors, the nifty Taylor Russell and Timothée Chalamet, who has already shown his acting skills a few times and only confirms them here. I enjoy road trips in films as they don't stand still, new places and people are explored and despite the slower pace they manage to keep my attention. Bones and All also benefits from the world of cannibals and it has to be said that this insight is really interesting and creepy enough. The two leads travel through America, have a taste for human flesh and can also sense their equals. Each encounter with a new cannibal is one of the highlights of the film. Mark Rylance is once again perfect, his dialogue is uncomfortable and gives you chills. But I must also praise the huge weirdo with the Bones and All story, the guy oozed evil and I wouldn't be surprised if he was a cannibal in real life, a really nasty unpleasant guy. There was a bit of gore as well, which was nice, though another director might have pushed the envelope further. The filmmaking is good, the atmosphere is bleak, and you could say it's one of the top in the cannibal-themed romantic horror genre (though the competition here isn't huge). Bones and All is the imaginary pinnacle of cannibal cinema and I would love to see it in action. 7/10
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I think most vegans who accidentally wander into the cinema to see this unconventional romantic road-trip will pass out and have nightmares for the rest of their lives. Marel (Taylor Russell) can't contain herself on a girls' sleepover and chews on her friend's finger. Her dad has had enough, so after a quick move he gives her money, an explanatory audio tape and disappears. The "innocent" girl goes in search of her lost mother and meets other eaters of human flesh. The almost meditative, relaxed atmosphere, underlined by Trent Reznor's haunting piano, is interspersed from time to time with gore with an unnerving soundtrack. The performances are top-notch, with Mark Rylance as the lonesome Sully leading the pack, but unfortunately, there is punishingly little. Chalamet does his quality standard, but he's no match for the old man. A surprising one-off with several very intensive scenes and a bit of an awkward ending. The question is whether it is the fault of the book or the filmmakers.
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